Narrativas sobre a Universalidade na Arte
Keywords:
Universality, Non-occidental art, Regional art, Alternative narratives, Nonstudio based practicesAbstract
The dossier Narratives on universality in the Art questions the relations between the proposed discourse of a universal art, in opposition to the new voices that until then were not represented by the system of the arts: nonEuropean artistic productions, noncanonical narratives, as well as the establishment of the decolonization of aesthetics. The provoked debate aimed to reach a multiplicity of means of signification either by putting in question art collections, by artistic productions manifested in forms, times and places far from the practices and knowledges based in the atelier, as well as by the importance brought by the debate between the regional and universal which guides the current relations between urban phenomena
and culture.
References
AMARAL, Aracy. Cêntricos e ex-cêntricos. Revista Galeria, São Paulo, dez/jan, n.23, 1991, p. 98 – 101.
BELTING, Hans. O fim da história da arte: uma revisão dez anos depois. São Paulo: Cosac & Naify, 2006.
GINZBURG, Carlo; CASTELNUOVO, Enrico; PONI, Carlo. A micro-historia e outros ensaios. Lisboa: Difel; Rio de Janeiro: Bertrand Brasil, c1989. 244p
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