The messages behind the methods
The Authoritarian Pedagogical Legacy in Western Concert Dance Technique Training and Rehearsals
DOI:
https://doi.org/10.35699/2237-5864.2021.20375Keywords:
Dance, Dance education, Teaching methods, AuthoritarianismAbstract
This study reveals information about the heritage of authoritarian teaching methods that is passed down in the dance field and about the possibilities for incorporating elements of the twentieth-century progressive educational thought into dance studio classes and rehearsals. To expose and investigate the roots of this disturbing pedagogical heritage and the ideologies that underpin it, a definition and exposition of authoritarian or destructive dance teaching behaviors are offered first. Next, an overview of how the dance community has responded is presented. This unmasking of dance teaching philosophies and practices can hopefully pave the way for healthier, more humane learning environments for dance students and professional dancers.
Downloads
References
BIRD, Dorothy; GREENBERG, Joyce. Bird’s Eye View: Dancing with Martha Graham and On Broadway. Pittsburgh: University of Pittsburgh Press, 1997.
CHRISTIE, Richard. Authoritarianism Re-examined. In: CHRISTIE, Richard; JAHODA,Marie (Ed.). Studies in the Scope and Method of the Authoritarian Personality: Continuities in Social Research. Glencoe, IL: Free Press, 1954. p. 123-96.
COHEN, Ze’eva. Transcrição de entrevista não publicada de Monica Moseley. Oral History Project.Dance Division, New York Public Library. out.-nov. 2000.
DALE, Grover. Remembering Robbins: A Dancer’s Adventure.Journal for Stage Directors and Choreographers, v. 11, n. 2, 1998.
DE MILLE, Agnes. Speak to Me, Dance with Me. New York: Popular Library, 1973.
EASTON, Carol. No Intermissions: The Life of Agnes de Mille. New York: Da Capo, 1996.
FLENDER, Nicole. Every Class Has a Silver Lining. Dance Spirit, may-jun. 2003.
GREEN, Harris. Three Views of Kirkland’s Grave. Ballet Review, v. 14, n. 4, 1987.
GROSSWILER, Paul. The Method Is the Message: Rethinking McLuhan through Critical Theory. Montreal: Black Rose Books, 1998.
GRUEN, John. People Who Dance: 22 Dancers Tell Their Own Stories. Pennington, NJ: Princeton Book Company, 1988.
HAMILTON, Linda H. 1998. Advice for Dancers: Emotional Counsel and Practical Strategies. SanFrancisco: Jossey-Bass; e Loren, Teri. 1978.
HAYDEN, Melissa. Dancer to Dancer: Advice for Today’s Dancer. Garden City, NY: Anchor, 1981.
HAYS, Joan. Erick Hawkins: The Studio Perspective. Journal of Physical Education, Recreation, and Dance, 1986.
HOROSKO, Marian; KUPERSMITH, Judith R. F. The Dancer’s Survival Manual: Everything You Need to Know about Being a Dancer... Except How to Dance. New York: Harper and Row, 1987.
JACOB, Ellen. Dancing: A Guide for the Dancer You Can Be. New York: Danceways, 1981.
JOWITT, Deborah. Anna at Eighty-five. Dance Magazine, aug. 1995.
JOWITT, Deborah. Not Just Any Body: Advancing Health, Well-being and Excellence in Dance and Dancers. Owen Sound, Ontario: Ginger Press, 2001.
KAST, Maggie. Martha’s Hand. Contact Quarterly, sep.-oct. 1999.
KOSTELANETZ, Richard. Merce Cunningham: Dancing in Space and Time. New York: Da Capo, 1992.
LAWRENCE, Greg. Dance with Demons: The Life of Jerome Robbins. New York: G. P. Putnam, 2001.
LOUIS, Murray. Inside Dance. New York: St. Martin’s, 1980.
MCDONAGH, Don. Martha Graham: A Biography. New York: Praeger, 1973.
NAGRIN, Daniel. Gravação da aula Acting Techniques for Dance Performance, no American Dance Festival na Duke University, Durham, NC, jul. 1982.
NAGRIN, Daniel. Entrevista concedida à autora em 5 de junho, 2002.
PERCIVAL, John. Back from the Living Dead. Dance and Dancers, feb. 1987.
PERLMUTTER, Donna. Shadowplay: The Life of Antony Tudor. New York: Viking, 1991.
SOARES, Janet Mansfield. Louis Horst: Musician in a Dancer’s World. Durham, NC: Duke University Press, 1992.
TAYLOR, Paul. Private Domain. San Francisco: North Point Press, 1998.
TOBIAS, Tobi. A Conversation with Paul Taylor and George Tacit. Dance Magazine, 1985.
TOBIAS, Tobi. Books. New York: [s.n.], 1986.
TOPAZ, Muriel. Undimmed Lustre: The Life of Antony Tudor. Lanham, MD: Scarecrow Press, 2002.
VAUGHAN, David. Media. Ballet International, v. 9, n.12, 1986.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 Raquel Pires Cavalcanti

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.







