A poetic of artistic dispositives with computational apparatus
DOI:
https://doi.org/10.35699/2237-5864.2020.20713Keywords:
Algorithm, Dispositive, Art and TechnologyAbstract
This paper presents the poetic of heterogenesis, dealing with artistic experiments with computational apparatus. Heterogenesis is dealt with as a mode of creative thinking from originated from compositions with different materials treated by art, science and technology. The text correlates technological studies – Kowalski (1970), Robinson (2008),Fuller (2008) – with contemporary philosophical, social and aesthetic writings – Bishop (2012), Broeckmann (1997), Deleuze (1992; 2005), Duguet (1988), Goffey (2009) – and displaces concepts such as apparatus, algorithm, composition, and dispositive, but directs them to rise a poetic that stands between art, science, and technology.
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