Corporeity frames and stamps in Fernanda Magalhães
Collaborative artistic actions in favor of difference
DOI:
https://doi.org/10.35699/2237-5864.2019.16124Keywords:
Art, Body, Politics, Fernanda MagalhãesAbstract
This text presents an analysis of two collaborative actions directed by Fernanda Magalhães regarding to the issue of visibility of fat women: “Classificações científicas da obesidade” (1997) ("Scientific Classifications of Obesity") and “Ação 8” (Action 8) (2006). Throught these works, Magalhães and other women confront social exclusions, giving to the matter a deconstruction reading of conventions that permeate the cultural imaginary elaborated from elements of art history. Based on authors such as Lynda Nead (1992), Almazán and Clavo (2007) and Rosalyn Deutsche (2008), the text interweaves art and politics and takes into account the power of the body and joint actions in the transgression of hegemonic discourses.
References
ALMAZÁN, Yayo Aznar; CLAVO, María Iñigo. Arte, política y activism. Concinnitas, ano 8, v. 1, n. 10. Rio de janeiro: UERJ, 2007.
ARFUCH, Leonor. (Auto)biografía, memória e história. Clepsidra, Buenos Aires, v. 1, n. 1, 2014.
CLARK, Kenneth. The nude: a study in ideal form. 1. ed. Nova Jersey: Princeton University Press, 1956.
DEUTSCHE, Rosalynd. Agorafobia. Barcelona: MACBA, 2008.
DIDI-HUBERMAN, Georges. A imagem sobrevivente: história da arte e tempo dos fantasmas segundo Aby Warburg. 1. ed. Rio de Janeiro: Contraponto, 2013.
MAGALHÃES, Fernanda. Corpo Re-construção. Ação Ritual Performance. Orientadora: Lygia Arcuri Eluf. 2008. 260 f. Tese. (Doutorado em Artes) – Instituto de Artes, Universidade Estadual de Campinas, Campinas, 2008.
MAGALHÃES, Fernanda. Classificações científicas da obesidade. Labrys, Santa Catarina, UFSC, v. 1, n. 1, 2014.
NEAD, Lynda. The female nude: art, obscenity and sexuality. 1. ed. Londres: Routledge, 1992.
NOCHLIN, Linda. Off beat and Naked. Artnet.com, nov. 1999. Disponível em: http://www.artnet.com/Magazine/FEATURES/nochlin/nochlin11-5-99.asp. Acesso em: 21 jun.2018.
PRECIADO, Beatriz. Entrevista com Beatriz Preciado. Entrevista cedida a: Jesús Carrillo. Poiésis, Revista do Programa de Pós-Graduação em Ciência da Arte da UFF, Niterói, n. 15, ago. 2010. Disponível em: http://www.poiesis.uff.br/PDF/poiesis15/Poiesis_15 _EntrevistaBeatriz.pdf. Acesso em: 24 jul. 2013.
SMITH, Sidonie; WATSON, Julia. Interfaces: women, autobiography, image, performance. 5. ed. Michigan: University of Michigan Press, 2012.
SMITH, Terry. Contemporary art: world currents. 1. ed. Nova Jersey: Pearson, 2011.
YVES Klein. MoMa. Disponível em: https://www.moma.org/collection/works/80530. Acesso em: 24 jun. 2018.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.