Vol. 31 No. 2 (2025): Em Tese

View Vol. 31 No. 2 (2025): Em Tese
Published: 2026-08-06

Full Issue

Apresentação

  • Editors' Note

    Cíntia Maciel, Cláudia Rezende, Danilo de Athayde, Floriane Abreu da Silva, Henrique Júlio Vieira, Laura Ribeiro Araújo, Vinícius Cassiano Campos Abreu
    5-7
    DOI: https://doi.org/10.17851/1982-0739.31.2.5-7

Créditos

Literary Studies

  • Assis Brasil ensaísta processo de gênese de Ensaios íntimos e imperfeitos

    Tamara dos Santos
    9-30
    DOI: https://doi.org/10.17851/1982-0739.31.2.9-30

  • A Voice at the Margins The Testimony of the Character Nina in Chronicle of the Murdered House (1959)

    Wellem Assunção Araújo, Franco Baptista Sandanello
    31-47
    DOI: https://doi.org/10.17851/1982-0739.31.2.31-47

  • The Aesthetics of Neurasthenia Álvaro de Campos and the Discontents of Modernity

    Gustavo Ramos de Souza
    48-67
    DOI: https://doi.org/10.17851/1982-0739.31.2.48-67

  • The Romanticization of the Bucolic Genre in the Guanabara Magazine a reading of the poems “Itaé” and “O pouso”

    Gabriel Esteves
    68-87
    DOI: https://doi.org/10.17851/1982-0739.31.2.68-87

  • A turn toward humanity A study of character development in two short stories by Ronaldo Correia de Brito

    Vanessa Costa dos Santos, Victor Cardoso dos Santos, João Paulo Ferreira dos Santos
    88-106
    DOI: https://doi.org/10.17851/1982-0739.31.2.88-106

  • Voices from the balcony power and resistance in Charabanc Theatre Company’s Somewhere over the Balcony

    Isis Ribeiro Berger, Beatriz Kopschitz Bastos
    107-123
    DOI: https://doi.org/10.17851/1982-0739.31.2.107-123

Tradução e Edição

Em Tese

Resenhas

  • A dança do tempo e da memória em Milton Hatoum uma leitura de Dança dos enganos

    Rodrigo Felipe Veloso
    190-196
    DOI: https://doi.org/10.17851/1982-0739.31.2.190-196