Indetermination in Expressão Anímica by Eunice Katunda

an interpretative overview

Authors

  • Iracele Vera Livero de Souza University of Campinas (Brazil) - UNICAMP

Keywords:

Eunice Katunda, Indeterination in music, Musical analisys and performance, Brazilian repertory for solo piano

Abstract

The main objective of this paper is to verify indetermination elements used by Brazilian composer Eunice Katunda in her piano piece Expressão Anímica (1979), as well as the compositional procedures adopted by the composer. Departing from the musical parameters – time, duration, pitch and effect - the use of indetermination is analized, as well as all types of notation used in the piece – such as exact, aproximative, indicative notation and music grafics. The methodology consisted of reviewing related literature and music notation studies. Finally, a possible performance is proposed.

Author Biography

  • Iracele Vera Livero de Souza, University of Campinas (Brazil) - UNICAMP

    Iracele Vera Livero de Souza is Doctor and Master in Music from UNICAMP/SP. Her researches, both financed by CAPES, presents an interpretative analysis of piano works by the composers of Grupo Música Viva, Claudio Santoro and Eunice Katunda, emphasizing their importance in the Brazilian musical production of the 20th century. The emphasis of his work is directed to the areas of study in musical analysis and interpretation, working mainly on the topics: Musical Analysis, Piano, Brazilian Music, XX-XXI Century. She has a significant scientific production in music analysis and interpretation practices, which include articles and communications in national and international congresses. She was a professor of theoretical subjects, with main focus on Music Analysis, at USC - Universidade Sagrado Coração de Jesus, Bauru-SP and piano at EMESP (Escola de Música do Estado de São Paulo). She is a collaborating researcher at CIDDIC/UNICAMP-SP and a professor at the Institute of Arts at the same University.

References

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______. Louvação a Eunice: um estudo de análise da obra para piano de Eunice Katunda. Tese de Doutorado, Campinas, Instituto de Artes - UNICAMP, 2009.

SANTOS, Antonio Eduardo: Os Des-Caminhos do Festival Música Nova: (FMN-um veículo de comunicação dos caminhos da música contemporânea), 2003. Tese (Doutorado) Departamento de Comunicação e Semiótica, PUC-SP, São Paulo, 2003.

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Published

2015-06-10

Issue

No. 31 (2015): General Topics

Section

Articles in Portuguese/Spanish

License

Copyright (c) 2015 Per Musi

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This work is licensed under a Creative Commons Attribution 4.0 International License.

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How to Cite

“Indetermination in Expressão Anímica by Eunice Katunda: An Interpretative Overview”. 2015. Per Musi, no. 31 (June): 1-22. https://periodicos.ufmg.br/index.php/permusi/article/view/38487.

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