Carl Nielsen’s Clarinet Concerto, Op.57
context, analysis and performance
Keywords:
Carl Nielsen, Clarinet concerto, Music analysis and interpretationAbstract
Composed in 1928, Carl Nielsen’s Clarinet Concerto, Op.57 became a fundamental work in the twentieth-century clarinet literature. This study discusses some of the work’s performance aspects by means of examining its context related to its composer and compositional procedures. The discrepancies between the Sanfundet edition and the composer’s manuscripts are observed. Analysis aspects of the work support the discussion about its initial reception and its role in the clarinet literature.
References
ARAÚJO, João Paulo de. Laboratório de Composição para Clarineta Solo: Uma experiência entre intérpretes e estudantes de composição. Salvador: Universidade Federal da Bahia, 2006 (Dissertação de Mestrado).
BINGHAM, Ann Marie. Carl Nielsen’s Koncert for Klarinet og Orkester, opus 57 (1928): a performance guide. Lexington: University of Kentucky, 1990 (Tese de Doutorado).
BRYANT, Michael. The Clarinet on Record. In: LAWSON, C. J. (Ed.) The Cambridge Companion to the Clarinet. Cambridge: Cambridge University Press. Pg. 199-212.
BURHOLDER, J. Peter. A Simple Model for Associative Musical Meaning. IN: Amén, Byron e Pearsall, Edward (Ed.). Approaches to Meaning in Music. 76-106. Bloomington e Indianapolis: Indiana University Press, 2006.
BURROWS, John & WIFFEN, Charles (ed). Música Clássica. Tradução de André Telles. Rio de Janeiro: Jorge Zahar Editor Ltda, 2007.
BUTLER, Christopher. Innovation and the avant-garde, 1900-20. In: COOK, Nicholas & POPLE, ANTHONY (ed.). The Cambridge History of Twentieth-Century Music. Cambridge: Cambridge University Press, 2004. Pg. 69-89.
DAVENPORT, David. Carl Nielsen’s Use of the Snare Drum, 1916-1928 (Part I). In: Percussive Notes: Journal of the Percussive Arts Society, 31, N. 4, 1993a. Pg. 56-59.
______________. Carl Nielsen’s Clarinet Concerto: Specific Interpretation Approach (Part II). IN: Percussive Notes: Journal of the Percussive Arts Society, 31, N. 5, 1993b. Pg. 52-60.
FELUMG, Svend Christian. De gamle blæsere - og Carl Nielsen. In: Dansk Musik Tidsskrift. V.33, N.2. 1958. Disponível em <http://dvm.nu/periodical/dmt/dmt_1958/dmt_1958_02/de-gamle-blaesere-og-carl-nielsen/>. Acessado em 20/03/2012.
GAUTHREAUX, Guy Gregoire II. Orchestral Snare Drum Performance: An Historical Study. Baton Rouge: Louisiana State University and Agricultural and Mechanical College. 1989 (Tese de Doutorado).
GIACONA, Christina. A Study of Comparative Interpretations by Stanley Drucker, Elsa Ludewig-Verdehr, Håkan Rosengren and John Bruce Yeh of the Clarinet Concerto by Carl Nielsen. Norman: University of Oklahoma, 2009 (Tese de Doutorado).
GREEN, Burdette & BUTLER, David. From Acustics to Tonpsychologie. IN: Christenssen, Thomas (ed). The Cambridge History of Western Music Theory. Cambridge University Press: Cambridge, 2006.
GRIMLEY, Daniel. Analytical and Aesthetic Issues in Carl Nielsen’s Concerto for Clarinet and Orchestra. In: KRABBE, Niels (ed.). Carl Nielsen Studies. V.1, 2003. Pg. 27-41.
KETTING, Kund. Art and Consciousness. IN: Carl Nielsen Society. Disponível em < http://carlnielsen.dk/pages/biography/art-and-consciousness.php>. Acessado em 02/12/2010.
KRABBE, Niels. A Survey of the Written Reception of Carl Nielsen, 1931-2006. In: Notes – Quartely Journal of the Music Library Association. V.64. N.1., 2007. Disponível em < http://muse.jhu.edu/journals/notes/toc/not64.1.html>, acessado em 26/03/2012.
KRABBE, Niels. Carl Nielsen, Ebbe Hamerik and the First Symphony. In: KRABBE, Niels (Ed.). Carl Nielsen Studies. V.1, 2003. Pg.102-123.
LABOURIÈSSE, Marília. Interpretação Musical: a dimensão recriadora da “comunicação” poética. Goiânia: Anablume, 2007.
LANZ, Christopher Charles. The Concerti of Carl Nielsen. Standford: Standford University, 1989 (Tese de Doutorado).
LAWSON, Jack. Carl Nielsen. Londres: Phaidon, 1997.
MAEGARD, Jan. An Outline of Danish Musical History. IN: Samfundet til Udgivelse of Danish Musik Katalog. Copenhagen: Dan Fog-Olsen, 1956. Pg 8-13.
MEYER, Torben. Carl Nielsen: Kunstneren og Mennesket. 2 V. Copenhagen: Nyt Nordisk Forlag, 1947.
MONROE, Douglas. Conflict and Meaning in Carl Nielsen’s Concerto for Clarinet an Orchestra, Op.57 (1928). Athens: Ohio State University, 2008 (Tese de Doutorado).
NATTIEZ, Jean-Jacques. O Combate entre Cronos e Orfeu: ensaios de semiologia musical aplicada. Tradução de Luiz Paulo Sampaio. São Paulo: Via Lettera, 2005.
NELSON, Eric. The Nielsen Concerto and Aage Oxenvad. Disponível em <http://www.woodwind.org/clarinet/Study/Nielsen.html>. Acessado em 10/03/2012 (2012a).
_________. Performances Notes on Carl Nielsen’s Koncert For Klarinet Og Orkester, Op.57. Disponível em http://www.woodwind.org/clarinet/Study/NielsenNotes.html#page_10. Acessado em 02/03/2012 (2012b).
_________. The Danish Performance Tradition in Carl Nielsen’s Koncert for Klarinet og Orkester, Op.57 (1928). IN: The Clarinet, 14, N.2, 1987. Pg 30-35.
__________. Carl Nielsen’s Koncert for Klarinet og Orkester, Op.57 (1928) within the Context of Danish Musical History. Denton: North Texas State University, 1979a (Dissertação de Mestrado).
__________. Entrevista com o crítico musical dinamarquês Robert Naur. Material não publicado enviado pelo autor, 1979b.
OXENVAD, Aage. Entrevista concedida ao jornal dinamarquês Berlingske Tidende, datado de 10/10/1928. Tradução do dinamarquês enviada ao autor por Eric Nelson.
PETERSEN, Elly Bruunshuus. Prefácio da Edição do Concerto para Clarineta, Op.57 de Carl Nielsen. Copenhagen: Editora Wilhelm Hansen, 2002. Disponível em <http://www.kb.dk/en/kb/nb/mta/cnu/download.html>. Acessado em 02/12/2010.
PETERSEN, Elly Bruunshuus & PETERSEN, Kirsten Flensborg (Ed.). Koncert for Klarinet og Orkester, Op.57. Edition Wilhelm Hansen: Copenhagen, 2002.
PETERSEN, Kirsten Flensborg. Carl Nielsen’s Flute Concert: Form and revision of the ending. In: KRABBE, Niels (Ed.). Carl Nielsen Studies. V.2, 2005. Pg.196-225.
PINO, David. The Clarinet and Clarinet Playing. New York: Charles Scribner’s Sons, 1980.
ROSENBERG, Herbert. The Concertos. In: Carl Nielsen Centenary Essays. Ed. Jürgen Balzer. Transc. Holzer Norgaard e N. Bugge Hansen. Londres: Dobson, 1966. Pg. 47-55.
SIMPSON, Robert. Carl Nielsen – Symphonist. London : Kahn & Averill, 1986.
SCHOUSBOE, Torben (ed.), Carl Nielsen, Dagbøger og brevveksling med Anne Marie Carl-Nielsen, Copenhagen: Carlsbergfondets, 1983.
WATERHOUSE, John C. G. Nielsen Reconsidered 2. IN: The Musical Times, V.106, N.1469, 1965. Pg. 515-517. Disponível em <http://www.jstor.org/stable/950198> Acessado em 20/02/11.
WESTON, Pamela. More Clarinet Virtuosi of the Past. Londres: Panda Press, 1982.
WHITE, Tyler G. ‘The Music’s Proper Domain’: form, motive and tonality in Carl Nielsen’s Symphony no. 4 Op.29 (The Inextinguishable). Ithaca: Cornell University, 1991 (Tese de Doutorado).
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Except where otherwise noted, contents on this site are licensed under a Creative Commons - Atribuição 4.0 Internacional.