No. 40 (2020): Thematic Session: Computing Performed Music

Chief-Editor: Igor Leão Maia

Guest-Editors:
Maurício Alves Loureiro (Federal University of Minas Gerais, Brazil)
Flávio Luiz Schiavoni (Federal University of São João del Rey, Brazil)
Davi Alves Mota (Federal University of Minas Gerais, Brazil).

Published: 2021-06-14

Articles

TumTá and Pisada Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions

João Tragtenberg, Filipe Calegario, Giordano Cabral, Geber Ramalho

1-20
- PDF
Composing aleatoric music through interaction a composition environment based on interaction with mobile technologies for public spaces

Mauro Amazonas, Thais Castro, João Gustavo Kienen, Rosiane Freitas, Bruno Gadelha

1-35
- PDF
Looking for a place for Sonification Sons de Silício and the Buzu installation

Julian Jaramillo Arango, Fernando Iazzetta, Crisitiano Figueiró, Esteban Viveros Astorga

1-14
- PDF
Can Ubimus Technologies affect our Musicality?

Leandro Costalonga, Marcelo Pimenta, Marcelo Wanderley

1-16
- PDF
Using game theory to support the audience participation in digital performances

João Teixeira Araújo, Igino de Oliveira Silva Junior, Rômulo Augusto Vieira Costa, Marcela Alves de Almeida, Flávio Luiz Schiavoni

1-13
- PDF
"Life, Color, Warmth and Truth" Expressive timing in German late Romantic organ music

Yulia Draginda, Ichiro Fujinaga

1-17
- PDF

Articles in Portuguese/Spanish

Analysis of tango performances using computational tools The performing style of Aníbal Troilo interpreting Mi refugio

Demian Alimenti Bel, Martín Rocamora, Isabel Cecilia Martínez

1-26
- PDF (Español (España))
Analysis of the glottal and supraglottal configuration and acoustic data in countertenor singing

Tiago Lima Bicalho Cruz, Mauricio Alves Loureiro

1-19
- PDF (Português (Brasil))