Papel da motivação intrínseca no processo de domínio do piano

Autores

DOI:

https://doi.org/10.35699/2317-6377.2022.39891

Palavras-chave:

Motivação intrínseca, Piano, Estudantes, Educação musical superior

Resumo

O artigo apresenta os resultados de um estudo destinado a analisar o papel da motivação intrínseca no processo de domínio do piano. O estudo utilizou vários métodos para identificar os factos da influência da motivação intrínseca no processo de domínio do piano para estudantes de instituições de ensino musical e para pessoas que escolheram um caminho diferente no ensino superior. O estudo revelou uma série de factos interessantes que ajudarão a analisar o problema da motivação no contexto dos motivos internos de domínio de um instrumento musical como o piano.

Biografia do Autor

  • Oleksii Nalyvaiko, V. N. Karazin Kharkiv National University, Ucrânia

    Oleksii Nalyvaiko é vice-diretor de pesquisa da Faculdade de Psicologia da Universidade Nacional V.N. Karazin de Carcóvia. Oleksii Nalyvaiko trabalha como livre-docente de pedagogia, candidato a doutor em pedagogia desde 2016 até o presente. Interesses de investigação: tecnologias digitais de ensino, ferramentas móveis de ensino, digitalização da educação, pedagogia comparada, tecnologias educativas inovadoras, motivação no processo educativo, ensino diferenciado, abordagem de competências na educação.

  • Anastasiya Bondarenko, V. N. Karazin Kharkiv National University, Ucrânia

    Anastasiia Bondarenko é estudante da Faculdade de Psicologia da Universidade Nacional V.N. Karazin de Carcóvia. Anteriormente, recebeu a formação de pianista e professora de música depois de estudar no Colégio Profissional Musical P.I. Mayboroda de Zaporizhzhia. Durante o estudo na Universidade Nacional V.N. Karazin de Carcóvia também é violoncelista na Orchestra Estudantil Karazin. Os seus interesses de pesquisa incluem motivação na educação musical, psicologia cognitiva e da personalidade e memória autobiográfica.

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Publicado

2022-09-19

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Como Citar

“Papel Da motivação intrínseca No Processo De domínio Do Piano”. 2022. Per Musi, nº 42 (setembro): 1-16. https://doi.org/10.35699/2317-6377.2022.39891.