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No. 42 (2022): General Topics
No. 42 (2022): General Topics
Editor-in-Chief: Fernando Chaib
Published:
2022-01-30
Articles
Integration and opposition of Western and Japanese traditional instruments in Takemitsu’s November Steps
Luigi Antonio Irlandini
1-15
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Musical Time in Tōru Takemitsu’s November Steps
Luigi Antonio Irlandini
1-28
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Tambor y Mejorana
Roque Cordero's Rapsodia Panameña
Samuel Robles
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Role of intrinsic motivation in the process of mastering the piano
Oleksii Nalyvaiko, Anastasiya Bondarenko
1-16
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Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu
Elements of the Maracatu folkloric tradition and interpretative suggestions
Dr. Marcel Ramalho
1-24
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Articles in Portuguese/Spanish
The Black actor, singer and dancer Martinho Corrêa Vasques (1822-1890)
lundus, arias, vaudevilles and parodies in the Empire of slavery
Luiz Costa-Lima Neto
1-31
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Perception of professionals of the clarinet in Brazil about anxiety in musical performance
Gueber Pessoa Santos, Pedro Robatto
1-23
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Under-representation of female in music
reflections, challenges, prospects of empowerment and protection of gender equality, based on legislative analysis, public policies and actions in this context
Ana Claudia Trevisan Rosário, Daniela Zago Gonçalves da Cunda
1-20
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Under the Muses, on technics
an investigation of possible interfaces between post-humanism and music
Marta Castello Branco
1-19
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Music as strategy of ritualization
an approach to mapuche ritual practice
Leonardo Díaz-Collao
1-22
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Nonverbal communication in the context of individual violin lessons
Francisco Parente Ramos, António Ricardo Mira
1-21
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Music technical courses in Brazil
a mapping
Thrycia Viviane Gadelha Macena Oliveira, Renan Colombo Simões, Alysson Mendes de Oliveira
1-21
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Baroque, transitional, and modern bows under the positivist aegis
a discussion of the concept of evolution traditionally applied to the development of the violin bow
Adonhiran Reis, Marcus Held
1-25
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Harmonic gradations in the third movement of the String Quartet n. 2 by György Ligeti
the reevaluated concept of micropolyphony
Claudio Vitale
1-26
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Kurze Schatten II
compositional procedures and aesthetic principles
Artur Miranda Azzi, Rogério Vasconcelos Barbosa
1-27
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``Double Check Reflective Artistic Cycle’ (CARDC)
The proposition of a methodological tool in the field of Artistic Research
Leonardo Vieira Feichas
1-24
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Music therapy approach in chemical dependence based on the Transtheoretical Model of Change
Frederico Gonçalves Pedrosa, Frederico Duarte Garcia, Cybelle Maria Veiga Loureiro
1-16
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Subtlety, intensification and inventiveness
musical analysis of drummer Nenê’s performance in “Maracatu” by Egberto Gismonti on the album Sanfona (1981)
Christiano Lima Galvão
1-21
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Self-determination in music media by digital technologies in high school
an action research in a state school of Mossoró/RN
Giann Mendes Ribeiro, Gibson Alves Marinho da Silva
1-27
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Elena Badilla’s notebook and the work of Juan Guillermo Jara
reflections on musical and guitar-related activity in the city of Talcahuano at the beginning of the twentieth century
Pablo Soto Hurtado, Renato Serrano Muñoz
1-22
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Musical performance anxiety
A reflection on the use of strategies of management from a Sport Psychology perspective
Aline Parreiras Gonçalves, Fernanda Torchia Zanon
1-19
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Performance and meaning in the Quilombo do Rio das Rãs band's DVD
Rita de Cássia Mendes Pereira, Elisabete Tâmara Galvão dos Santos
1-19
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The study of choro as a tool and stimulus for musical learning
Johnson Joanesburg Anchieta Machado, Roberto Stepheson Anchiêta Machado
1-12
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The trutruka playing as a representation of Mapuche resistance in the urban popular music scene in the Region of Los Lagos, Chile
Ignacio Soto-Silva, Javier Silva-Zurita, Franco Millán, Myriam Núñez-Pertucé
1-25
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Music Scores
A color which unbends the rainbow
Danilo Bogo
1-50
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Interviews
Early Music, Notation and Performance
an interview with Clive Brown
Marcus Held, Clive Brown
1-10
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Thematic Session Iannis Xenakis
Making Possible the impossible
performative ideas and solutions in some Iannis Xenakis' percussion works
Leonardo Labrada, Fernando Chaib, Charles Augusto Braga Leandro
1-19
PDF (Português (Brasil))
Indonesian references in Iannis Xenakis' Claviers
creative process with exogenous material in Pléïades (1978)
Ronan Gil de Morais
1-24
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Orient-Occident by Fulchignoni-Xenakis
analysing the relationship between music and image
Makis Solomos, André Villa
1-20
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