The Mystic Chord as the harmonic and structural basis of a late Scriabin work
um estudo comparativo dos Dois Prelúdios, Op. 67 (1912-1913)
DOI:
https://doi.org/10.35699/2317-6377.2002.56201Keywords:
Scriabin, Mystic Chord, Two Preludes Op. 67, prelude, piano worksAbstract
Alexander Scriabin's Two Preludes, Op. 67 (1912-1913) are representative of the tonal language of his late works, which was highly chromatic and not obviously related to traditional tertian harmonic processes. An understanding of the harmonies and structures of Op. 67 contributes not only to an understanding of Scriabin's innovative compositional techniques in his late works, but also to an informed basis for making performance decisions.
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