The analysis and interpretation of Quatre Pièces by Glauco Velásquez (1912)

Authors

  • Any Raquel Carvalho Federal University of Rio Grande do Sul
  • Paulo Fernando Saraiva Macedo Federal University of Rio Grande do Sul

DOI:

https://doi.org/10.35699/2317-6377.2002.57648

Keywords:

analysis, interpretation, organ

Abstract

The interpretation of a musical work depends largely on the knowledge and perception of its essence. The interpreter should use analysis as a primary tool for making decisions related to interpretation, since it may reveal aspects that are not always perceptible at first sight. This paper will present aspects that should be considered for the interpretation of Quatre Pièces for organ, by Glauco Velásquez, as a result of this analysis.

Author Biographies

  • Any Raquel Carvalho, Federal University of Rio Grande do Sul

    she's a doctor in Music from the University of Georgia (USA), she is a professor in the PPG-Music program and the Department of Music at the Institute of Arts of UFRGS. She works as an organist, concert performer, and lecturer in Brazil and abroad. As a CNPq researcher, she has developed work in the areas of counterpoint, fugue, and Brazilian organ music.

  • Paulo Fernando Saraiva Macedo, Federal University of Rio Grande do Sul

    he began his guitar studies at the Escuela Universitaria de Música in Montevideo. He is in the final stage of his bachelor's degree in composition at the Institute of Arts of UFRGS, under the guidance of professors Dr. Celso Loureiro Chaves and Dr. Antônio Carlos Borges Cunha. He worked as a Scientific Initiation scholarship holder, supervised by Prof. Dr. Any Raquel Carvalho. Several of his compositions have already been performed in public recitals.

References

GERLING, Cristina Capparelli e SOUZA, Jusamara. A performance como objeto de investigação. SEMINÁRIO NACIONAL DE PESQUISA EM PERFORMANCE MUSICAL, 1, 2000, Belo Horizonte. Anais... Belo Horizonte: Curso de Pós-Graduação da Escola da Música da UFMG, 2001. p. 114-126.

SCHMALFELDT, Janet. On the Relation of Analysis to Performance: Beethoven's Bagatelles Op. 126, nos. 2 & 5. Journal of Music Theory, v.29, п.1, р.1-31, 1985.

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Published

2002-01-01

Issue

No. 05 e 06 (2002): General Topics

Section

Articles in Portuguese/Spanish

License

Copyright (c) 2002 Per Musi

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

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Except where otherwise noted, contents on this site are licensed under a  Creative Commons - Atribuição 4.0 Internacional.

How to Cite

“The Analysis and Interpretation of Quatre Pièces by Glauco Velásquez (1912)”. 2002. Per Musi, no. 05 e 06 (January): 151-62. https://doi.org/10.35699/2317-6377.2002.57648.

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