Artist-athlete

reflections on the use of the body in the performance of string instruments

Authors

  • Edson Queiroz de Andrade Federal University of Minas Gerais
  • João Gabriel Marques Fonseca Federal University of Minas Gerais

DOI:

https://doi.org/10.35699/2317-6377.2000.57836

Keywords:

physical stress, string instruments, use of the body

Abstract

The present article makes considerations upon the use of the body by string players - violinists, violists, violoncellists and bassists-as well as upon the physical stress as a consequence of instrumental activity. It approaches possible causes of the excess of tension during the musical performance, including references to the work of specialists on the subject. It also shows the results of the research "Physical stress on string players: an interdisciplinary study of the problems of the athlete-artist in Brazil's musical scene", done by the authors of this article.

Author Biographies

  • Edson Queiroz de Andrade, Federal University of Minas Gerais

    holds a Master's in Arts and a Doctorate in Music from the University of Iowa, USA (1988). He has been an Assistant Professor at the School of Music at UFMG since 1989 and has worked as a solo violinist, chamber musician, and guest concertmaster for various Brazilian orchestras. He also teaches violin at the summer courses in Curitiba (PR), Juiz de Fora (MG), and Campos dos Goytacazes (RJ).

  • João Gabriel Marques Fonseca, Federal University of Minas Gerais

    is a pianist, music historian, and physician, specializing in Internal Medicine. He is an Assistant Professor in the Department of Internal Medicine at the Faculty of Medicine and in the Department of General Music Theory at the School of Music at UFMG. He is the founder of EXERSER - Center for Comprehensive Health Care for Musicians (in Belo Horizonte), where he works with kinesiology applied to musical performance.

References

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Published

2000-01-07

Issue

Section

Articles in Portuguese/Spanish

How to Cite

“Artist-Athlete: Reflections on the Use of the Body in the Performance of String Instruments”. 2000. Per Musi, no. 02 (January): 118-28. https://doi.org/10.35699/2317-6377.2000.57836.

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