Gabriela Mureb

Totem and Engine

Authors

  • Vinicius Portella Castro

DOI:

https://doi.org/10.35699/2238-2046.2024.48796

Keywords:

Contemporary Art, Gabriela Mureb, Philosophy of Technology, Gilbert Simondon, Yuk Hui

Abstract

The paper focuses on the work of contemporary Rio de Janeiro artist Gabriela Mureb and the dialogue that it establishes with modern industrial technology. Based on ideas from thinkers such as Yuk Hui and Gilbert Simondon, an attempt is made to present Mureb's noisy machines and performances as products and producers of unique critical tensions with technicality, tensions that put into play concepts such as humanity and technical nature, gesture and work, energy expenditure and exhaustion, duration and experiential thickness, creation and destruction.

References

CANGUILHEM, G. . O conhecimento da vida. Rio de Janeiro:

Forense Universitária, 2012.

GONTIJO, Juliana. rrrrrrrrrr. Exposiçao de Gabriela Mureb. Disponível em: https://juligontijo.wordpress.com/2017/04/10/rrrrrrrrrr-exposicao-de-gabriela-mureb/

HUI, Yuk. Art and Cosmotechnics. New York: E-flux, 2021.

MORAIS, Frederico. Cotidiano/Arte: a Técnica. São Paulo: Itaú Cultural, 1999.

MUREB, G. Motor: sobre a formação de um objeto dinâmico. 130 pp. Doutorado em Artes Visuais. Escola de Belas Artes, UFRJ, Rio de Janeiro, 2022.

SIMONDON, Gilbert. Do modo de existência dos objetos técnicos. Rio de Janeiro: Contraponto, 2020

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Published

2024-04-01 — Updated on 2024-05-13

Versions

How to Cite

CASTRO, V. P. Gabriela Mureb: Totem and Engine. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, v. 14, n. 30, p. 146–162, 2024. DOI: 10.35699/2238-2046.2024.48796. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/48796. Acesso em: 21 may. 2024.

Issue

Vol. 14 No. 30 (2024): Jan-Abril

Section

Dossiê

License

Copyright (c) 2024 VINICIUS PORTELLA CASTRO

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