The triangular approach in art education
an integrated educational proposal
DOI:
https://doi.org/10.1590/1983-3652.2025.58366Keywords:
Art education, Innovative pedagogical practices, Critical art analysis, Cultural contextualization, Educational technologyAbstract
This article investigates the application of the triangular approach in art education, highlighting its foundations and educational benefits. The triangular methodology, developed by Ana Mae Barbosa, integrates three axes — appreciation, contextualization, and creation — to enrich the learning process and promote students' critical and aesthetic development. Adopting a qualitative methodology, the study is based on a comprehensive bibliographic review of theoretical works and case studies that exemplify the practice of the approach in different educational contexts. The content analysis of the collected sources reveals that appreciation allows students to critically interpret artworks, contextualization connects them to historical and cultural aspects, and creation encourages personal expression and technical mastery. Additionally, the integration of digital technologies, such as multimedia resources and sharing platforms, enhances the interactivity and accessibility of pedagogical practices, enriching the educational experience. The results indicate that the triangular approach, combined with the use of technologies, provides a more meaningful art education, preparing students to be critical citizens engaged in their cultural reality. In conclusion, the triangular approach stands out as a relevant and effective pedagogical resource in art education.
Downloads
References
BARBOSA, Ana Mae. Educação artística: uma prática crítica e libertadora. São Paulo: Editora Cortez, 2008.
BARBOSA, Ana Mae. Arte e educação: diálogos possíveis. São Paulo: Editora Moderna, 2010.
BARBOSA, Ana Mae. Debate: Seminário Arte, Cultura e Educação na América Latina. 2018. Disponível em: https://www.youtube.com/watch?v=IazonZsIwWg&t=2772s. Acesso em: 21 out. 2025.
BARBOSA, Ana Mae; COUTINHO, Rejane Galvão. Arte/educação como mediação cultural e social. São Paulo: Editora da Unesp, 2009.
BARDIN, Laurence. Análise de conteúdo. Lisboa: Edições 70, 2011.
BOURDIEU, Pierre. A distinção: crítica social do julgamento. São Paulo: Edusp, 1996.
BRASIL. Base Nacional Comum Curricular. Brasília, DF: MEC/SEB, 2018. Disponível em: http://basenacionalcomum.mec.gov.br/. Acesso em: 15 jun. 2025.
DEWEY, John. Art as Experience. New York: Perigee Books, 1934.
FERREIRA, Maria; RAMOS, Ana. Práticas pedagógicas em educação artística: desafios contemporâneos. São Paulo: Editora Unesp, 2015.
FREIRE, Paulo. Pedagogia da autonomia: saberes necessários à prática educativa. São Paulo: Paz e Terra, 1996a.
FREIRE, Paulo. Pedagogia do oprimido. Rio de Janeiro: Paz e Terra, 1996b.
HERNÁNDEZ, Francisco. A educação artística: um diálogo entre arte e educação. São Paulo: Editora Cortez, 2000.
LOPES, Ana; MARTINS, Júlio. Metodologias de ensino em arte: desafios e possibilidades. São Paulo: Editora Senac, 2016.
MINAYO, Maria de Souza. Pesquisa social: teoria, método e criatividade. Petrópolis: Vozes, 2010.
POUGY, Eliana; VILELA, André. Teláris arte: Manual do Professor. São Paulo: Ática, 2018.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Laura Paola Ferreira, Danilo Rodrigues Zinatelli Cesar, Eloiza Mara de Paula Rossoni

This work is licensed under a Creative Commons Attribution 4.0 International License.
This is an open access article that allows unrestricted use, distribution and reproduction in any medium as long as the original article is properly cited.








