Kepler’s contributions to the continuity and transformation of the tradition of the music of the spheres

Authors

Keywords:

History of science, History of ideas, Johannes Kepler, Music of the spheres, Speculative music, Planetary music, Elliptical orbits

Abstract

This paper wishes to bring to a wider audience the importance of Johannes Kepler’s efforts in the updating, modification, continuity and transmission of the theories of musical correspondences between the planets of the Solar System and the pitches of the musical scale. This tradition is known as “The Music of the Spheres”, and its evolution and development constitutes a long chapter (from Pythagoras to the present day) in the history of ideas, science, and musical theory, through the area known as “speculative music”, which researches on the connections between music (especially musical theory) and the occult, esoteric or mystical. As such, it warrants further research from the perspective of history of mentalities (understood in this case as a double take from both historical musiclogy and the history of science), and this is precisely the approach that his paper aims at.

Author Biography

  • Johann F.W. Hasler, Universidad de Antioquia: Medellín, Antioquia, CO

    Johann Hasleres - professor at the Department of Music of the University of Antioquia in Medellín (Colombia), and director of the research group "Arts and Models of Thought" of the Faculty of Arts, which investigates, among other topics, the history of music theory and its relationship with other models of thought, such as astronomy or esotericism in all its manifestations (including musical platonism, neo-pythagoreanism, 'harmonic science', astrology and alchemy). He is also director of the research line "esotericism and other magical religiosities" of the research group "Religion, Culture and Society" of the same university. johann.hasler@udea.edu.co; artesymodelosdepensamiento@gmail.com.

References

CAMPION, N. (2008). A History of Western Astrology. Volume 1, The Ancient World. Londres: Continuum.

CHRISTENSEN, Th., (ed.) (2002). The Cambridge History of Western Music Theory. Cambridge: Cambridge University Press.

COUSTO, H. (2000). The Cosmic Octave: Origin of Harmony. Mendocino, California, EUA: LifeRhythm.

DORCE POLO, C. (2006). Ptolomeo, el astrónomo de los círculos. Madrid: Nivola Ediciones.

FABBRI, N. (2003). Cosmologia e armonia in Kepler e Mersenne: contrappunto a due voci sul tema dell'harmonice mundi. Florencia: Leo S. Olschki.

GENEVA, A. (1995). Astrology and the Seventeenth Century Mind: William Lilly and the Language of the Stars. Manchester: Manchester University Press.

GHYKA, M. (1998). Filosofía y mística del número. Barcelona: Apóstrofe.

GODWIN, J. (1982). “The Revival of Speculative Music”. Musical Quarterly. v. 67#3, p.373-389.

____________ (1986). Music, Mysticism and Magic: A Sourcebook. Nueva York, EUA: Arkana (Penguin).

__________ (1987). Harmonies of Heaven and Earth: the Spiritual Dimensions of Music from Antiquity to the Avant-garde. Rochester, Vermont, EUA: Inner Traditions.

__________ (1989). Cosmic Music: Musical Keys to the Interpretation of Reality. Rochester, Vermont, EUA: Inner Traditions.

__________ (2009). Armonía de las esferas: un libro de consulta sobre la tradición pitagórica en la música. Girona: Atalanta.

GOMBOSI, O. (1951). “Key, Mode, Species”. Journal of the American Musicological Society. v. 4#1, p.20-26.

HAASE, R. (1989). "The Sequel to Kepler's World Harmony." En Godwin, J. (ed.) Cosmic Music: Musical Keys to the Interpretation of Reality. Rochester, Vermont, EUA: Inner Traditions, p. 131-144.

HAASE, R. (1989). "Kepler's World Harmony and Its Significance Today." En En Godwin, J. (ed.) Cosmic Music: Musical Keys to the Interpretation of Reality. Rochester, Vermont, EUA: Inner Traditions, p. 111-130.

HAASE, R. (1989). "Harmonics and Sacred Tradition." En En Godwin, J. (ed.) Cosmic Music: Musical Keys to the Interpretation of Reality. Rochester, Vermont, EUA: Inner Traditions, 1989, p. 91-110.

HASLER, J.F.W. (2005). “La música especulativa”. Ensayos, historia y teoría del arte. v.10, p. 257-277.

KRAEHENBUEHL, D.; SCHMIDT, CH. (1962). “On the Development of Musical Systems”. Journal of Music Theory. v.6:1, p.32-65.

KAYSER, Hans. Textbook of Harmonics. Editado por Joscelyn Godwin. 2 vols. Idlyllwild, California, EUA: Sacred Science Institute, 2006.

KEPLER, J. (1940). “Harmonices Mundi” [1619] en Caspar, M. (ed.), volumen 6 de Gesamte Werke. Munich: Beck.

KEPLER, J. (2005) “Briefe 1607-1611” en Schenkel P.M. (ed.), volumen 16 de Gesamte Werke. Munich: Bayerische Akademie der Wissenschaften.

KEPLER, J. (1997). The Harmony of the World. Translated into English with an Introduction and Notes by E.J. Aiton, A.M. Duncan, & J.V. Field. Philadelphia, Pennsylvania, EUA: American Philosophical Society.

LANDELS, J.G. (1999). Music in Ancient Greece & Rome. Abingdon, Inglaterra: Routledge.

LAUER, H. E. (1989) "The Evolution of Music through Changes in Tone-Systems." En Godwin, J. (ed.) Cosmic Music: Musical Keys to the Interpretation of Reality. Rochester, Vermont, EUA: Inner Traditions, p. 150-167.

MATHIESEN, TH. (2002). “Greek music theory”. En The Cambridge History of Western Music Theory, editado por Thomas Christensen. Cambridge: Cambridge University Press, , p. 109-138.

RISSET, J.C. (2002). “Mathematics and Musical Theory”. En Mathematics and Music: A Diderot Mathematical Forum,. Editado por Gerard Assayag, Hans Georg Feichtinger y José Francisco Rodrigues. Berlin: Springer, p. 215-217.

WALKER, D.P. (1967) “Kepler's Celestial Music”. Journal of the Warburg and Courtauld Institutes v.30, p. 228-250.

WARM, H. (2010) Signatures of the Celestial Spheres: Discovering Order in the Solar System. Forest Row, Inglaterra: Sophia Books.

WARRWAIN, F. (1942). Essai sur l'Harmonices Mundi ou Musique du Monde de Johann Kepler. Paris: Hermann & cie.

Published

2015-11-10

Issue

Section

Articles in Portuguese/Spanish

How to Cite

“Kepler’s Contributions to the Continuity and Transformation of the Tradition of the Music of the Spheres”. 2015. Per Musi, no. 32 (November): 1-26. https://periodicos.ufmg.br/index.php/permusi/article/view/38421.

Similar Articles

1-10 of 146

You may also start an advanced similarity search for this article.