Barroco en contexto
DOI:
https://doi.org/10.35699/2317-6377.2009.54618Palabras clave:
música barroca, relaciones de poder y música, música barroca y colonizaciónResumen
¿Quién produjo música durante el largo periodo histórico que hoy llamamos «Barroco»? ¿Quién la escuchaba? ¿Cómo habría articulado la práctica musical las relaciones de poder, tanto dentro de las culturas europeas en las que nació la estética barroca como en las tierras americanas que esas mismas culturas colonizaron? ¿Por qué, en el siglo XXI, podría seguir pareciéndonos interesante y bella esta música? ¿Por qué podría ser útil hoy una mayor comprensión del Barroco? Este ensayo abordará estas cuestiones de forma preliminar situando la música barroca en relación con los sistemas emergentes de representación, intercambio económico, poder político y producción artística que caracterizaron la larga transición de las crisis epistemológicas de la cultura europea de finales del siglo XVI, que se entrelazó con la resolución de estas crisis en los paradigmas de la modernidad ilustrada del siglo XVIII.
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