Género y música barroca
DOI:
https://doi.org/10.35699/2317-6377.2009.54484Palabras clave:
Música Barroca, Música y estudios de género, Cortesanas, CastratiResumen
En la Europa de los siglos XVII y XVIII, la cultura musical y lo que los antropólogos llaman el «sistema sexo/género» eran ámbitos importantes para que los seres humanos corrientes (no los filósofos) se enfrentaran y se comprometieran con las ansiedades epistemológicas y sociales que caracterizaban la época. Este ensayo explorará las innumerables relaciones entre el género y la cultura musical barroca, haciendo especial hincapié en los aspectos más exóticos de estas relaciones: los papeles adoptados por cortesanas, castrati y sus mecenas de la más alta élite para mantener la práctica musical como medio de representación y circulación del poder y el deseo.
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