Images in Lorenzo Fernandez’s art song A saudade Op. 11

an intersemiotic approach

Authors

  • Mônica Pedrosa de Pádua Federal University of Minas Gerais
  • Margarida M. Borghoff Federal University of Minas Gerais

DOI:

https://doi.org/10.35699/2317-6377.2007.55169

Keywords:

Brazilian art song, intersemiotic analysis, Lorenzo Fernandez, Compared Arts Analysis System, Sandra Loureiro de Freitas Reis

Abstract

This paper presents an intersemiotic approach to Lorenzo Fernandez’s art song A Saudade Op. 11. It verifies the articulations that can be established between the literary and musical languages of the song and reveals images brought up by the poetry, the music and, finally by the poetic-musical text. One of the analytical tools used was the Compared Arts Analysis System, developed by Sandra Loureiro de Freitas Reis. This system uses different paradigms or “modes”, deduced from phenomena which are common to several artistic languages.

Author Biographies

  • Mônica Pedrosa de Pádua, Federal University of Minas Gerais

    Mônica Pedrosa de Pádua is an Assistant Professor of Singing at the School of Music of UFMG. She earned her Bachelor's degree in Singing from this school and obtained her Master's degree in Singing from the Manhattan School of Music in New York. She is currently a doctoral student in Comparative Literature at the Faculty of Letters of UFMG. She is a member of the Research Group "Rescue of Brazilian Song."

  • Margarida M. Borghoff, Federal University of Minas Gerais

    Margarida Borghoff is an Associate Professor of Piano and Chamber Music at the School of Music of UFMG. She completed her Bachelor's degree in Piano and Chamber Music at the Hochschule für Musik in Freiburg i. Breisgau, and her Master's and Doctorate in Song Accompaniment (Liedgestaltung) at the Hochschule für Musik in Karlsruhe, Germany. She is the coordinator of the Research Group "Rescue of Brazilian Song."

References

CASTRO, Luciana Monteiro de; BORGHOFF, Margarida Maria; PEDROSA, Mônica. Em defesa da canção de câmara brasileira. In: Per Musi: Revista de Performance Musical, V.8. Belo Horizonte: Escola de Música da UFMG, 2003.

CHRISTIN, Anne-Marie. Da imagem à escrita. In: SÜSSEKIND, Flora; DIAS, Tânia, orgs. Historiografia literária e as técnicas de escrita: do manuscrito ao hipertexto. Rio de Janeiro: Edições Casa de Rui Barbosa: Vieira & Lent, 2004.

DAMASIO, António. O erro de Descartes: emoção, razão e o cérebro humano. São Paulo: Companhia das Letras, 2002.

FERNANDEZ, Lorenzo. A Saudade Op.1. São Paulo: Irmãos Vitale, 1961.(partitura)

GOLDSTEIN, Norma. Versos, sons e ritmo. São Paulo: Ática, 1989

LA RUE, Jan. Guidelines for style analysis. New York: W.W. Norton & Company, Inc., 1970.

NATTIEZ, Jean-Jacques. O modelo tripartite de semiologia musical: o exemplo de La Cathédrale Engloutie de Debussy. Tradução de Luiz Paulo Sampaio. In: Debates, V.6. Rio de Janeiro: Centro de Letras e Artes da UNIRIO, 2002.

RAMOS, Maria Luiza. Fenomenologia da obra literária. Rio de Janeiro: Forense-Universitária, 1974.

REIS, Sandra Loureiro de Freitas. A linguagem oculta da arte impressionista: tradução intersemiótica e percepção criadora na literatura, música e pintura. Belo Horizonte: Mãos Unidas Edições Pedagógicas Ltda, 2001.

_______ Essais sur l’art: musicologie, sémiologie et philosophie. Belo Horizonte: Mãos Unidas, 2004.

SANTAELLA, Lúcia; NÖTH, Winfried. Imagem: cognição, semiótica, mídia. São Paulo: Iluminuras, 2001.

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Published

2007-01-01

Issue

No. 15 (2007): General Topics

Section

Articles in Portuguese/Spanish

License

Copyright (c) 2007 Per Musi

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How to Cite

“Images in Lorenzo Fernandez’s Art Song A Saudade Op. 11: An Intersemiotic Approach”. 2007. Per Musi, no. 15 (January): 47-54. https://doi.org/10.35699/2317-6377.2007.55169.

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