Memorizing Webern's Variations Op.27 for piano

from analysis to cognition

Authors

  • Salomea Gandelman Uni-Rio

DOI:

https://doi.org/10.35699/2317-6377.2000.57835

Keywords:

music memorization, atonal music, Variations Op.27, piano, Anton Webern, musical analysis

Abstract

This article deals with a two-pianist case study involving the learning and memorization of an atonal work - Variations Op.27 for piano by Webern. An analysis of the work was used as a tool to develop cognitive elements.

Author Biography

  • Salomea Gandelman, Uni-Rio

    master in Communication and Assistant Professor of the Piano Bachelor's Program and the Graduate Program in Music at Uni-Rio, is the author of numerous articles in the journals ART (UFBa), DEBATES (Uni-Rio), and BRASILIANA (Brazilian Academy of Music), as well as the book 36 Brazilian Composers - Works for Piano (1950-1988), published by Funarte and Relume-Dumará.

References

DUNSBY, J., WHITTALL. A Music Analysis in Theory and Practice. London: Faber Music, 1988.

GUBERNIKOFF, Carole. Música e Representação - das Durações aos Tempos. Rio de Janeiro, 1992. (Tese de Doutorado em Comunicação, UFRJ).

HEYWORTH, Peter, ed. Conversations with Klemperer. London: Victor Gollancz, 1973.

KOELLREUTTER, H.J. Terminologia de uma nova estética da música. Porto Alegre: Editora Movimento, 1990.

LEIBOWITZ, René. Schoenberg and his school. The contemporary stage of the language of music. New York: Da Capo, 1970.

MEYER, Leonard. Emotion anda Meaning in Music. Chicago and London: The University of Chicago Press, 1956.

MOLDENHAUER, Hans. Anton von Webern, a chronicle of his life and work. New York: Alfred Knopf, 1979.

SAMPAIO, L.P.Oliveira. Reflets dans le miroir. Universidade de Montréal, 2000. (Tese de Doutorado).

SLOBODA, John. The Musical Mind: The cognitive psychology of music. Oxford: Clarendon Press, 1985.

STADLEN, Peter. Serialism reconsidered, in The Score 22, Fev., 1958.

WEBERN, Anton. O caminho para a música nova. São Paulo, Novas Metas, 1984.

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Published

2000-01-07

Issue

No. 02 (2000): General Topics

Section

Articles in Portuguese/Spanish

License

Copyright (c) 2000 Per Musi

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

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Except where otherwise noted, contents on this site are licensed under a  Creative Commons - Atribuição 4.0 Internacional.

How to Cite

“Memorizing Webern’s Variations Op.27 for Piano: From Analysis to Cognition”. 2000. Per Musi, no. 02 (January): 104-17. https://doi.org/10.35699/2317-6377.2000.57835.

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