A.R.T.E.² threads interwoven in the sea of tales

a creativity workshop on shape – ethical/aesthetical propositions in outreach actions

Authors

  • Aurelio Antonio Mendes Nogueira Escola de Belas Artes da Universidade Federal do Rio de Janeiro
  • Maria da Graça Lima Escola de Belas Artes da Universidade Federal do Rio de Janeiro
  • Katia Correia Gorini Escola de Belas Artes da Universidade Federal do Rio de Janeiro https://orcid.org/0000-0003-0120-792X
  • Ana Cecília Matos Mac Dowell Escola de Belas Artes da Universidade Federal do Rio de Janeiro

DOI:

https://doi.org/10.35699/2237-5864.2021.25211

Keywords:

Education, Art, Culture, Extramural activities, Society

Abstract

In activities developed in the projects Mar de Histórias and A.R.T.E. 2 , the perception of the line is viewed/analyzed in its poetic possibilities, as a compositional element and in different supports. The experimentation started in regular undergraduate classes, in the discipline Creation of Shape, generated proposals for practices with the Creativity Workshop on Shape, by dealing with the use of the line by different artists, throughout the history of art, applied in the Center for Mathematical and Nature Sciences (CCMN) of the Federal University of Rio de Janeiro (UFRJ).

References

ANJOS, Moacir. A cidade o desenho nas obras de Lygia Pape e Artur Barrio. Rio de Janeiro: Conncinitas, 2011.

ARGAN, G. C. Arte Moderna: do iluminismo aos movimentos contemporâneos. São Paulo: Companhia de Letras, 1992.

DERDYK, Edith. Catálogo da exposição Moiras. São Paulo: SESC, 2019.

FLUSSER, Vilém. O Universo das imagens técnicas: elogio da superficialidade. São Paulo: Ed. Annablume, 2008.

GORINI, Katia Correia. Memórias do forno Monumento: arte cerâmica imbricada à vida cotidiana. Dissertação de Mestrado. Rio de Janeiro: PPGAV/UFRJ, 2010.

MACDOWELL, Ana Cecília Mattos, Instalações Multimídia: coexistência do espaço físico e virtual, Dissertação de Mestrado, Brasília, PPG_ARTE/ UnB- 2003.

NOGUEIRA, Aurélio Antônio Mendes. Coletânea de artigos: arte e arquitetura. Rio de Janeiro: E-book EBA/UFRJ, 2019.

NOGUEIRA, Aurélio Antônio Mendes; GORNI, Katia Correia; LIMA, MACDOWELL, Ana Cecília Mattos; Maria da Graça Muniz. O A.R.T.E.2 navegando no Mar de Histórias: oficinas de arte, extensão universitária e sociedade. Rio de Janeiro: E-book, 2020.

ARTE NA REDE. Esculturas cinéticas de Théo Jansen. 2016. http://artenarede.com.br/blog/index.php/a-arte-cinetica-de-theo-jansen/ junho de 2020.

MARRIMON, Mariana. Exposição As linhas da Vida, de Shiahu Shiota. São Paulo: 2019. https://www.cidadaocultura.com.br/marianna-marimon/ junho de 2020.

ARTESBRASILEIROShttps://artebrasileiros.com.br/topo/instalacao-de-edith-derdyk-cria-tramas-conexoes-e-tessituras-no-sesc-ipiranga/abril de 2019.

Downloads

Published

2021-07-19

How to Cite

NOGUEIRA, A. A. M.; LIMA, M. da G.; GORINI, K. C.; DOWELL, A. C. M. M. A.R.T.E.² threads interwoven in the sea of tales: a creativity workshop on shape – ethical/aesthetical propositions in outreach actions. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, v. 11, n. 22, p. 297–314, 2021. DOI: 10.35699/2237-5864.2021.25211. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/25211. Acesso em: 30 jun. 2024.

Issue

Vol. 11 No. 22: May.2021 - Aug.2021

Section

Articles - Open section

License

Copyright (c) 2021 Aurelio Antonio Mendes Nogueira

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal agree to the following terms:

    1. Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
    2. Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
    3. Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
    4. It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.