Django Reinhardt’s solo on Flèche d’Or
Keywords:
Django Reinhardt and Miles Davis, History of bebop and modal jazz, Jazz guitar solo,, Jazz in FranceAbstract
Transcription and analysis of Django Reinhardt’s solo on his own composition, Flèche d’Or. The structural and harmonic aspects of this work, recorded in 1952, show great similarities with Milestones (1958) by Miles Davis, a well-known work generally accepted as the first example of the so called modal jazz. This article also presents a transcription of the accents and displaced rhythms performed by the drummer Pierre Lemarchand, in order to demonstrate a measure mistake that could be caused by the recent novelty of this kind of musical form in jazz. The analysis of the solo reveals an “outside” approach by Django as far as the harmony and rhythm are concerned.
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Referências de partitura
REINHARDT, Django; CUGNY, Laurent. Flèche d’or. partitura transcrita e editada por Laurent Cugny a partir da gravação do compositor no disco Django Reinhardt e sua orquestra (1952). “Le solo de Django Reinhardt dans Fléche d’Or” in: Les Cahiers du jazz, nouvelle série, nº3, 2006, p.213-218.
Referências de Gravações
DAVIS, Miles. Kind of blue. Columbia: CS 8163,1959. (LP)
_____. Milestones. Columbia: CL 1193, 1958. (LP)
REINHARDT, Django. Flèche d’Or. In: Intégrale Django Reinhart v.12 Troublant Boléro - 1950-1952. Frémeaux & Associés: FA 319 (CD2, faixa 12), 2004. (gravação original de 30 jan. 1952, Decca, Paris).
M C FARLAND, Gary; MULLIGAN, Gerry. Bridgehampton Strut. In: Mulligan ’63, The Concert Jazz Band, 1963.
CALDERAZZO, Joey; BRECKER, Michael. Midnight Voyage. In: Tales from the Hudson, Impulse Records, 1996
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