No. 30 (2014): General Topics

Editorial

Editorial by Per Musi 30

Fausto Borém

1-3

Articles in Portuguese/Spanish

Novena (1964) by Milton Nascimento and Márcio Borges hybridism in the compositional premiere of Clube da Esquina

Fausto Borém, Wilson Lopes

1-16
- PDF (Português (Brasil))
Charly’s Angels between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine Rock

Mara Favoretto, Timothy Wilson

1-11
- PDF (Español (España))
“I’m a ‘gogoia’ fruit, I’m a lass” Gal Costa and the Tropicalismo in the feminine

Rafael da Silva Noleto

1-12
- PDF (Português (Brasil))
Terra dos Pássaros permanence of counterculture elements in Toninho Horta’s production of the 1970’s

Thaís Lima Nicodemo, Rafael dos Santos

1-11
- PDF (Português (Brasil))
The case of the “Som Imaginário” band : counterculture, experimentation and the music industry between the 1960s and 1970s in Brazil

Maria Beatriz Cyrino Moreira, Rafael dos Santos

1-11
- PDF (Português (Brasil))
Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto Nazareth

Alvimar Liberato Nunes, Fausto Borém

1-16
- PDF (Português (Brasil))
Electric guitar in the Brazilian choro an analysis of Odeon by Ernesto Nazareth as recorded by Olmir Stocker (Alemão)

Eduardo de Lima Visconti

1-7
- PDF (Português (Brasil))
Marta Saré by Edu Lobo hybrid memories

Everson Ribeiro Bastos, Adriana Fernandes

1-14
- PDF (Português (Brasil))
The non-tonal construction in the song Jóia by Caetano Veloso

Marcelo Segreto

1-8
- PDF (Português (Brasil))
The anonymous collective and the network/conspiracy of genres plural subjectivations and intertextuality in 1960’s Brazil

Álvaro Simões Corrêa Neder

1-9
- PDF (Português (Brasil))

Translations

Flèche d’Or by Django Reinhardt why was it not heard?

Laurent Cugny; Fabiano Araújo

1-5
Django Reinhardt’s solo on Flèche d’Or

Laurent Cugny ; Fabiano Araújo

1-9
Beyond the music rethinking Sgt. Pepper’s Lonely Hearts Club Band

Sarah A. Etlinger; Fausto Borém

1-10

Book Reviews

Music Scores

Score of Flèche d’Or by Django Reinhardt

Laurent Cugny; Fabiano Araújo

1-3
Novena score by Milton Nascimento and Márcio Borges

Milton Nascimento, Márcio Borges

1-3
Odeon score by Ernesto Nazareth in the arrangement of Raphael Rabello

Ernesto Nazareth , Raphael Rabello

1-8
Score for Raphael Rabello's improvisation on Ernesto Nazareth's Odeon

Ernesto Nazareth, Raphael Rabello

1-7
Odeon score by Ernesto Nazareth in the arrangement by Olmir Stocker (Alemão)

Ernesto Nazareth, Olmir "Alemão" Stocker

1-9
Score for Memórias de Marta Saré by Edu Lobo

Edu Lobo

1-8

No. 30 (2014): General Topics

Editorial

Editorial by Per Musi 30

Articles in Portuguese/Spanish

Novena (1964) by Milton Nascimento and Márcio Borges hybridism in the compositional premiere of Clube da Esquina

Charly’s Angels between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine Rock

“I’m a ‘gogoia’ fruit, I’m a lass” Gal Costa and the Tropicalismo in the feminine

Terra dos Pássaros permanence of counterculture elements in Toninho Horta’s production of the 1970’s

The case of the “Som Imaginário” band : counterculture, experimentation and the music industry between the 1960s and 1970s in Brazil

Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto Nazareth

Electric guitar in the Brazilian choro an analysis of Odeon by Ernesto Nazareth as recorded by Olmir Stocker (Alemão)

Marta Saré by Edu Lobo hybrid memories

The non-tonal construction in the song Jóia by Caetano Veloso

The anonymous collective and the network/conspiracy of genres plural subjectivations and intertextuality in 1960’s Brazil

Translations

Flèche d’Or by Django Reinhardt why was it not heard?

Django Reinhardt’s solo on Flèche d’Or

Beyond the music rethinking Sgt. Pepper’s Lonely Hearts Club Band

Book Reviews

A proposal for the discussion of theoretical and methodological questions in the study of rock nacional argentino

Rewiew: Paul McCartney grinds pepper in The Lives of John Lennon by Albert Goldman behind the scenes with the Sgt. Pepper’s Lonely Hearts Club Band

Music Scores

Score of Flèche d’Or by Django Reinhardt

Novena score by Milton Nascimento and Márcio Borges

Odeon score by Ernesto Nazareth in the arrangement of Raphael Rabello

Score for Raphael Rabello's improvisation on Ernesto Nazareth's Odeon

Odeon score by Ernesto Nazareth in the arrangement by Olmir Stocker (Alemão)

Score for Memórias de Marta Saré by Edu Lobo