Skip to main content
Skip to main navigation menu
Skip to site footer
Open Menu
About
About the Journal
Editorial Commission
Open Access statement and Copyright
Contact
Current
Issues
Call for submissions
Announcements
Information
For Readers
For Authors
For Librarians
For Evaluators
Language
English
Português (Brasil)
Español (España)
Submission
Search
Register
Login
Home
/
Archives
/
No. 30 (2014): General Topics
No. 30 (2014): General Topics
Published:
2014-11-10
Editorial
Editorial by Per Musi 30
Fausto Borém
1-3
Articles in Portuguese/Spanish
Novena (1964) by Milton Nascimento and Márcio Borges
hybridism in the compositional premiere of Clube da Esquina
Fausto Borém, Wilson Lopes
1-16
PDF (Portuguese)
Charly’s Angels
between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine Rock
Mara Favoretto, Timothy Wilson
1-11
PDF (Spanish)
“I’m a ‘gogoia’ fruit, I’m a lass”
Gal Costa and the Tropicalismo in the feminine
Rafael da Silva Noleto
1-12
PDF (Portuguese)
Terra dos Pássaros
permanence of counterculture elements in Toninho Horta’s production of the 1970’s
Thaís Lima Nicodemo, Rafael dos Santos
1-11
PDF (Portuguese)
The case of the “Som Imaginário” band
: counterculture, experimentation and the music industry between the 1960s and 1970s in Brazil
Maria Beatriz Cyrino Moreira, Rafael dos Santos
1-11
PDF (Portuguese)
Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto Nazareth
Alvimar Liberato Nunes, Fausto Borém
1-16
PDF (Portuguese)
Electric guitar in the Brazilian choro
an analysis of Odeon by Ernesto Nazareth as recorded by Olmir Stocker (Alemão)
Eduardo de Lima Visconti
1-7
PDF (Portuguese)
Marta Saré by Edu Lobo
hybrid memories
Everson Ribeiro Bastos, Adriana Fernandes
1-14
PDF (Portuguese)
The non-tonal construction in the song Jóia by Caetano Veloso
Marcelo Segreto
1-8
PDF (Portuguese)
The anonymous collective and the network/conspiracy of genres
plural subjectivations and intertextuality in 1960’s Brazil
Álvaro Simões Corrêa Neder
1-9
PDF (Portuguese)
Translations
Flèche d’Or by Django Reinhardt
why was it not heard?
Laurent Cugny; Fabiano Araújo
1-5
Django Reinhardt’s solo on Flèche d’Or
Laurent Cugny ; Fabiano Araújo
1-9
Beyond the music
rethinking Sgt. Pepper’s Lonely Hearts Club Band
Sarah A. Etlinger; Fausto Borém
1-10
Book Reviews
A proposal for the discussion of theoretical and methodological questions in the study of rock nacional argentino
Mara Favoretto
1-3
Rewiew: Paul McCartney grinds pepper in The Lives of John Lennon by Albert Goldman
behind the scenes with the Sgt. Pepper’s Lonely Hearts Club Band
Fausto Borém
1-14
Music Scores
Score of Flèche d’Or by Django Reinhardt
Laurent Cugny; Fabiano Araújo
1-3
Novena score by Milton Nascimento and Márcio Borges
Milton Nascimento, Márcio Borges
1-3
Odeon score by Ernesto Nazareth in the arrangement of Raphael Rabello
Ernesto Nazareth , Raphael Rabello
1-8
Score for Raphael Rabello's improvisation on Ernesto Nazareth's Odeon
Ernesto Nazareth, Raphael Rabello
1-7
Odeon score by Ernesto Nazareth in the arrangement by Olmir Stocker (Alemão)
Ernesto Nazareth, Olmir "Alemão" Stocker
1-9
Score for Memórias de Marta Saré by Edu Lobo
Edu Lobo
1-8
