Vol. 14 No. 31 (2024): Maio/Ago

• The Window and the Grid in Luiz Zerbini and Ana Calzavara’s Painting

  Wagner Jonasson da Costa Lima

  6-26

  • PDF (Português (Brasil))

• Amir Haddad and the Teatro Universitário Carioca (TUCA-Rio) process of creation and memory in ReAcordar

  Wagner Miranda Dias, Cecilia Almeida Salles

  27-50

  • PDF (Português (Brasil))

• Powering Blackness from Green Book Film Analysis A Guide for Life

  Eduardo Augusto Farias, RAVELLI HENRIQUE DE SOUZA, Marta Regina FURLAN

  51-72

  • PDF (Português (Brasil))

• Between automatons and ghosts artificial intelligence and creative work crisis

  Guilherme Foscolo, Luciana Nacif

  73-97

  • PDF (Português (Brasil))

• Rethinking Forgetfulness Fragment and Ruin in Contemporary Art

  Alice Serra

  98-120

  • PDF (Português (Brasil))

• The Magazine Era Nova in Paraíba Notes from a State Modernism

  Luiz Mário Dantas Burity, Alômia Abrantes

  121-156

  • PDF (Português (Brasil))

• The Undecidable Archival Gesture Andy Warhol’s Time Capsules as the Poetics of Concealment

  Ícaro Moreno Ramos

  157-169

  • PDF (Português (Brasil))

• Landscape Photography and the Shattered World Notes on the Links Between Photography and Mineral Extraction

  Andre Leite Coelho

  170-196

  • PDF (Português (Brasil))

Artists' writings

• Mail in Time of E-mail Poeticonceptual Craftship in Academic Research

  Maruzia Dultra

  197-222

  • PDF (Português (Brasil))

Ensaio visual

• Red audacity, energy, trust

  Rafael da Escóssia Lima, Yana Tamayo Sotomayor

  223-234

  • PDF (Português (Brasil))