The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order

Authors

  • Ivaldo Gadelha de Lara Filho University of Brasília (UNB) (Brazil)
  • Gabriela Tunes da Silva Legislative Chamber of the Federal District, Brazil
  • Ricardo Dourado Freire University of Brasília (UNB) (Brazil) https://orcid.org/0000-0003-3472-0279

Keywords:

Brazilian choro, Roda de choro, Ethnomusicology, John Blacking

Abstract

The Roda de Choro offers a rich environment in order to analyze the musical context of performance and the social context which nourishes the musical relations. This article aims at analyzing the relationship of both musical and social contexts according to the concept of musical order established by John Blacking (1995), who argues that “music cannot exist without the perception of order that organizes sound”.

Author Biographies

  • Ivaldo Gadelha de Lara Filho, University of Brasília (UNB) (Brazil)

    He began his studies at the Escola de Música de Brasília, obtained his Bachelor's degree in clarinet professor Ricardo Dourado Freire at the University of Brasilia. In 2009, he concluded his master's degree in Musicology in the Graduate Program Music in Context at the University of Brasilia. He is currently a music technician at SESC-DF.

  • Gabriela Tunes da Silva, Legislative Chamber of the Federal District, Brazil

    She began his academic work in biology at the University of Brasilia. She continued in the biological sciences until he finished his master's degree in Ecology, from the same university, in 1999. She then started her PhD in Sustainable Development, still at the University of Brasilia, in 2001, when she had contact with the human and social sciences. She started, then, the amateur practice of the transverse flute, learning in private lessons, in choro circles and in the interaction with the community of choro musicians from Brasilia. After finishing her Ph.D., she deepened her readings and studies on the history of choro and the anthropology of musical performance. She is currently a civil servant at the Legislative Chamber of the Federal District, where she works as a legislative consultant.

  • Ricardo Dourado Freire, University of Brasília (UNB) (Brazil)

    Estudió Licenciatura de Clarinete en la Universidad de Brasilia con el profesor Luiz Gonzaga Carneiro. Continuó sus estudios en la Universidad Estatal de Michigan, donde obtuvo el Máster en Música (MM) en 1994 y el Doctorado en Artes Musicales (DMA) en 2000, bajo la dirección de la Dra. Elsa Ludewig-Verdehr. Su tesis titulada "Historia y desarrollo del clarinete en Brasil" sirve de referencia principal para los interesados en la trayectoria de los clarinetistas brasileños. Investiga en las áreas de Interpretación, Educación Musical, Psicología Cognitiva vinculada al aprendizaje instrumental y Música Popular.

References

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KERMAN, Joseph. O movimento da performance histórica. In: Musicologia. São Paulo: Martins Fontes, 1987. p.255-306.

KORMAN, Clifford. A Importância da Improvisação na História do Choro. In: Anais do V Congresso Latino Americano da Associação Internacional para o Estudo da Música Popular, Rio de Janeiro, 2004. [disponível em http://www.hist.puc.cl/iaspm/rio/Anais2004%20(PDF)/CliffKorman.pdf].

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Published

2011-01-10

Issue

No. 23 (2011): General Topics

Section

Articles in Portuguese/Spanish

License

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How to Cite

“The Roda De Choro Musical and Social Analysis Based on John Blacking ́s Concept of Musical Order”. 2011. Per Musi, no. 23 (January): 1-14. https://periodicos.ufmg.br/index.php/permusi/article/view/42652.

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