Quase o Diabo
DOI:
https://doi.org/10.35699/2238-2046..15734Keywords:
Birth of movies, Narrative, ReconstructionAbstract
A problem that presents the researcher who is dedicated to the study of particular field or technology pioneers is precisely the difficulty in determining the limits and consequences of subjectivity – understood as the attempt to grasp the fluctuations on the basis of amplification of what makes a complex phenomenon – that powered the first generation of explorers. Immersed in the complex and eventually numerous conceptual, structural and immediate technical problems, a precursor would not have time to perform reflections or even record the fluctuations of his or her subjectivity in this process. Therefore, we propose in our work is a possibility of recovery – through a process of narrative and dream-building – this subjective process that was lost in the early days of what would be the cinema.
References
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Scanners. Direção: David Cronenberg. [S.I.]: Criterion, 2014. 1 blu-ray (incluindo suplementos), NTSC, 103 minutos (filme original).
Segundo de Chomón (1903-1912): El cine de la fantasia. Produção: Filmoteca de Catalunya. Barcelona: Cameo/Filmoteca de Catalunya, 2010. 1 DVD, PAL, P/B e colorido.
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