O livro como lugar
campo expandido do livro de artista
DOI:
https://doi.org/10.35699/2238-2046..48552Keywords:
Artes - estudo e ensino, Livro de artistaAbstract
The text tackles different artists’ performance in their approach to the book as artistic thinking media. It deals with the issues between the artist book and informative publishing, as well as the relationship of the book with the public monument or architectural interference in itself. Addresses political based proposals and sculptural situations related to installations, performance art, or video-installations. It also reaches temporality-related poetics.
References
CALDAS, Waltercio. Manual da ciência popular. Arte Brasileira Contemporânea. São Paulo: Cosac Naify, 2007. (1ª publicação - Rio de Janeiro: Funarte, 1982).
DARBOVEN, Hanne. Constructed Literary Musical. Germany: Cantz Verlag, 1994. Entrevista de Ingrid Burgbacher-Krupka a Hanne Darboven.
SCHWARZ, Dieter. Learn to read art: Lawrence Weiner Books 1968-1989. Köln: Buchhandlung Walter König, 1989.
VENÂNCIO, Paulo. Leitura preparatória. In: Waltercio Caldas. Manual da ciência popular. Arte Brasileira Contemporânea. São Paulo: Cosac Naify, 2007. CATÁLOGOS:
Muntadas – Intersections. Casa da Moneda – Biblioteca Luis Angel Arango. Santafé de Bogotá D.C., Colômbia. August – october 1999.
Nómadas y Bibliófilos: concepto y estética en los libros de artista. Sala de Exposiciones del Koldo Mitxelena Kulturunea. San Sebastian, 2003. Comisaria: Gloria Picasso.
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