No. 36 (2017): Early Music

View No. 36 (2017): Early Music

Fausto Borém, Founder and Chief-Editor

Iara Fricke Matte, Maria Cecília de Miranda N. Coelho and Silvana Scarinci, Associate Editors for Early Music

Published: 2017-05-09

Editorial

Editorial 1 of Per Musi 2017

Fausto Borém et al
- PDF

Articles

Consider the Madrigal

Gary Tomlinson
- PDF
“A Quest’olmo, a quest’ombre et a quest’onde”: Swimming in Musical Marinisms

Barbara Cipollone
- PDF

Articles in Portuguese/Spanish

Concerto per Violoncello Obligato con Violini e Basso Dell Sigre Antonio Pollicarppi: Authorship, Analysis and Interpretation of the DKmu 7501.2432 Manuscript

Edoardo Sbaffi
- PDF (Portuguese)
Music and the Fantastic in Ancient Greece: The Imaginary, Between Myth and Philosophy

Fabio Vergara Cerqueira
- PDF (Portuguese)
Baroque Bizarreness in Brazilian Carnival: Banned Allegories as Dialectical Images

Fatima Costa de Lima
- PDF (Portuguese)
Agudeza and Stravaganza: Bizarre Expressions in Poetry and Music of the 1600s

Thiago Saltarelli
- PDF (Portuguese)
Metamorphoses, allegory and mimesis in L'Orfeo by Claudio Monteverdi and Alessandro Striggio

Silvana R Scarinci
- PDF (Portuguese)
Mozart’s Modulierende Präludia: Bizarre versus Perpetuated Tradition

Edmundo Pacheco Hora
- PDF (Portuguese)
Melancholy in Lachrimae Coactae by John Dowland

Juliana Lima Vasques, Mônica Isabel Lucas
- PDF (Portuguese)
Vocal Aesthetic in the transition of the Renaissance to the Baroque: review of historiographical sources on vocal training and ornamentation

Iara Regina Fricke Matte
- PDF (Portuguese)
The Trios ‘del sigr Avondano’ in Dresden

Marcio Pascoa; Manoella Costa
- PDF (Portuguese)