Leila Danzinger e a emancipação das imagens
Keywords:
Late, poetic, reappearanceAbstract
The article is woven according to a singular experiment of artist Leila Danziger: the work with the images on Vanitas (2010) and Banzo (2012). Due to hers operations and gestures of deletion, suspension and reappearance of the image, to hers thoughts on memory and temporality, we seek in this article to know how to resist and live with the disappearance, with the wrecks and shrapnel mundane, how to track the traces that make to dream.
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