Landscape

painted panoramas and interactive video installations

Authors

  • Maria Amélia Bulhões Universidade Federal do Rio Grande do Sul (UFRGS), Brasil

DOI:

https://doi.org/10.35699/2237-5864.2019.15732

Keywords:

Panoramas, Visual devices, Interactive digital video installations

Abstract

This paper analysis the landscape tradition in painted panoramas and its unfolding in interactive digital video installations, pointing to aspects that remain in this type of visual device from its origin to the present day, such as: illusion, immersion and interaction. It also questions possible causes of the absence of studies on these devices in art history and art criticism, despite its monumentality, the immense public attracted by these works and the complex technologies involved in its production.

Author Biography

Maria Amélia Bulhões, Universidade Federal do Rio Grande do Sul (UFRGS), Brasil

Professora do Programa de Pós-Graduação em Artes Visuais da UFRGS

References

CAUQUELIN, Anne. L’invention du paysage. Paris: Quadrige/PUF, 2000.

GRAU, Oliver. Arte Virtual da ilusão à imersão. São Paulo: Senac São Paulo, 2007.

MONLÉON, Mau. La experiencia de los límites: híbridos entre escultura y fotografía en la década de los ochenta. Valencia: Institució Alfons el Magnànim,1999.

THE PANORAMA PHENOMENON. Panorama Mesdag, Den Haag, 2006.

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Published

2019-05-17

How to Cite

BULHÕES, M. A. Landscape: painted panoramas and interactive video installations. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, v. 9, n. 17, p. 255–273, 2019. DOI: 10.35699/2237-5864.2019.15732. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/15732. Acesso em: 6 jul. 2024.

Issue

Vol. 9 No. 17: may.2019 - oct.2019

Section

Articles - Open section

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