Analysis of an analysis
Tarasti on Liszt
Keywords:
Liszt, Tarasti, Musical semiotics, Vallée d’ObermannAbstract
In his fundamental book, A Theory of Musical Semiotics, Eero Tarasti endeavors to analyze Liszt’s piano work
Vallée d’Obermann from the point of view of semiotics. In a process of clever musical archaeology, the author reveals
the many layers that color the score of the Hungarian composer. The present article intends to make a few observations
at the margin of this text, trying to detail and comment the analysis by one of the most important Semiotics theorists
in the world.
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