Indonesian references in Iannis Xenakis' Claviers

creative process with exogenous material in Pléïades (1978)

Authors

DOI:

https://doi.org/10.35699/2317-6377.2022.44450

Keywords:

Claviers, Iannis Xenakis, Pléïades, Indonesian music, Percussion

Abstract

The movement Claviers was composed for percussion keyboards and is part of Pléïades (1978) for six percussionists. Based on evidence from different archives, direct correlations with elements of traditional Indonesian music are highlighted here. The evidence points to the insertion of materials with which Xenakis had contact in the 1950s and during his trip to Bali and Java in 1972-1973. The insertion of exogenous material is rare within his work, but in Claviers it is a substantial part of the creative process, bringing a particular meaning to the structural treatment and sequence of sections that characterizes the movement. In doing so, the composer creates an underlying discourse and a rather dynamic context within this movement, and it points to correlations not yet examined in a broader part of his work. This dynamic context has very profound implications with Xenakis’ compositional thought and practice, bringing new elements to understanding part of the creative process during a very prolific phase of his life.

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Author Biography

Ronan Gil de Morais, Federal Institute of Education, Science and Technology of Goiás (IFG), Brazil

Ronan Gil de Moraes is a percussion and teacher at the Federal Institute of Education, Science and Technology of Goiás (IFG). He holds a PhD from the University of Basel (Universität Basel, Switzerland) and the Fachhochscule für Musik FHNW in the Musicology program (Kooperationsprojekt Musikwissen). His work was supervised by Prof. Dr. Matthias Schmidt, Prof. Dr. Georges Starobinski and Prof. Christian Dierstein, and he received the citation insigni cum laude. He holds a master's degree in Composition and Musical Interpretation from the University of Strasbourg (2011), where he presented a dissertation on the repertoire for percussion and mixed electroacoustic music under the guidance of Prof. Dr. Alessandro Arbo and Prof. Emmanuel Séjourné. He holds a specialization in percussion keyboards at the Conservatoire de Strasbourg (France) under the guidance of Prof. Séjourné (with a "Très bien" honorable mention). He holds a Bachelor's degree in Percussion from the Universidade Estadual Paulista Júlio de Mesquita Filho (UNESP-2009), where he played with the Piap Group for four years and won the Excellence in Research Award for his final course work ("Brazilian repertoire for solo vibraphone"). 

He taught (Chargé de cours/Percussioniste accompagnateur) at the Conservatoire de Strasbourg and at the Ecole de Musique de Souffelweyersheim. With the Piap Group he has performed throughout Brazil, in the USA and Canada (during the 2010 North American Tour) and has taken part in concerts with the Katia and Marielle Labèque Duo. He has been a member of the most diverse chamber ensembles: AxisModula, Accroche Note, Ensemble Vertebrae, Texture Ensemble da Milano, Babel Trio, DUALpha, DuAnphibios with concerts in France, Italy, Luxembourg and Spain.

He has premiered works and worked with Michelle Agnes Magalhães, Charles David Wajnberg, Flo Menezes, Daphné Hejebri, Stefano Gervasoni, Thomas Meadowcroft, Anna Sowa, David Hernandez Ramos, Fernando Iazzetta, Bertrand Gourdy, Zacarias Maia, Gitbi Kwon, Jacopo Costa, Patricia Goberna, Marisa Rezende, José Manoel Gatica, Nicolas Tzortis, Franck Christoph Yeznikian, Vito Zuraj, André Bandeira, among many others. Works by Michelle Agnes Magalhães, Charles David Wajnberg, Daphné Hejebri, Ivan Chiarelli and Roberto Victorio have been dedicated to him. He has recorded CDs with the Ensemble Accroche Note, Grupo Piap, Grupo Percussionista de Câmara (GPC) and Euterpe, as well as the CD and DVD of the II Bienal de música contemporânea de Mato Grosso. He has composed works for percussion and electronics. He has experience in the arts, with an emphasis on percussion, working mainly on the following subjects: percussion, contemporary music, history of percussion, mixed electroacoustic music and percussion, chamber music.

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Partituras mencionadas

Xenakis, Iannis. 1977. Jonchaies. Paris: Éd. Salabert.

Xenakis, Iannis. 1979. Pléïades. 1ed. Paris: Éd. Salabert.

Xenakis, Iannis. 1981. Komboï. Paris: Éd. Salabert.

Xenakis, Iannis. 2013. Pléïades. 2ed. Paris: Éd. Salabert.

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Published

2023-09-28

How to Cite

Morais, Ronan Gil de. 2023. “Indonesian References in Iannis Xenakis’ Claviers : Creative Process With Exogenous Material in Pléïades (1978)”. Per Musi, no. 42 (September):1-24. https://doi.org/10.35699/2317-6377.2022.44450.

Issue

No. 42 (2022): General Topics

Section

Thematic Session Iannis Xenakis

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