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Vol. 24 (2023): General Topics
Vol. 24 (2023): General Topics
Editor-in-chief:
Fernando Chaib
Published:
2023-03-23
Articles
Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution
Roksana Nikolenko
1-11
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Teacher involvement in the use of digital tools in conservatory, municipal music school and university classrooms
Vicenta Gisbert Caudeli, Raúl Fontes Alayón, Diego Calderón-Garrido; Juana María Anguita Acero
1-18
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Are we living in a ‘Yellow Submarine’?
The Attitude and mood creation with The Beatles’ Music
Marián Čvirik
1-13
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Articles in Portuguese/Spanish
The Preparation for Musical Performance by Guitar Quartet from the point of view by Professional Guitarists
Rafael Salgado, Maria Bernardete Castelan Póvoas
1-19
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El centavo de navidad by Luis Antonio Calvo
Critical edition
Juan David Manco, Jamir Mauricio Moreno Espinal, Mariantonia Palacios
1-24
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Influences of Musicology and Ethnomusicology in Music Education Research in Brazil
Eliton Perpetuo Rosa Pereira
1-20
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It's a living being
Substitution, adaptation and standardization of music instruments between Africa, Europe and Brazil
Nina Graeff
1-33
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The vocal performance in laryngeal positions
Daniel Machuca Telléz, Joaquín Blas Pérez
1-25
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Emissaries in Salzburg
the role of the Fundación Juan March in the reception of Orff-Schulwerk in Spain (1962-1966)
Joaquín De la Hoz-Diaz, Isabel M.ª Ayala Herrera
1-34
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Pronunciations of sung Brazilian Portuguese
a vocal analysis of recordings by baritone Ernesto De Marco
Daniela da Silva Moreira, Alberto José Vieira Pacheco
1-29
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Job satisfaction of music conductors and its relationship with motivation among members of youth music ensembles in Spain
Salvador Oriola Requena, Diego Calderón Garrido, Josep Gustems Carnicer
1-13
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Deciphering the guitar of João Gilberto in his arrangement of Desde que o samba é samba (2000)
Guilherme Silva Espindola, Bruno Madeira
01-22
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Towards a methodological framework for vocal behavior analysis in popular singing
Ricardo Lima, Regina Machado
01-26
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Incaism and habit in the Peruvian lyrical scene of the 20th century
the cases of Mariano Béjar and Benigno Ballón
Zoila Vega
1-27
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The Assessment Scale for the Effects of Group Music Therapy on Chemical Dependence (MTDQ)
Frederico Pedrosa, Frederio Garcia, Cristiano Mauro Assis Gomes, Cybelle Maria Loureiro
1-10
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A discussion of texture theory and wallace berry's concept of density-compression
Alejandro Jara, Luigi Antonio Irlandini
1-19
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Book Reviews
Study on Rogério Duprat shows how deep a socio-musical analysis can be
Flávio Terrigno Barbeitas
1-7
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Interviews
Developing harmonic perception
a conversation with Bruno Mangueira
Thais dos Guimarães Alvim Nunes, André de Oliveira, Bruno Mangueira
1-13
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Thematic Session RePercussions
RePercussion thematic section
Editorial
Ronan Gil de Morais, Luís Bittencourt
1-3
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The evolution of percussion and the new challenges for percussionists
eclecticism or specialization
Eduardo Flores Gianesella
1-28
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Tan Dun’s Water Music
a sonic investigation on the instrumentality of water through experimental percussion practices and contemporary music performance
Luís Bittencourt
1-18
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Analyzing the expansion of timbric possibilities in the Concert Piece for timpani and orchestra by Mauricio Kagel
Matheus Augusto Ribeiro, Antenor Ferreira Correa
1-16
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Percussion solo parts in Rogerio Duprat’s Antinomies I
Ricardo Stuani
1-21
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Isolation
Analogies between Stuart Saunders Smith and the Transcendentalists
José Augusto Duarte Lacerda
1-20
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The SIX-XEN by Iannis Xenakis
a Pleiad of ever-expanding sounds
Ronan Gil de Morais
1-31
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About objects, things, acts and air
a (self)critical view of percussive works and concepts
Carlos Stasi
1-22
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Practices and strategies of vachai va timbira in Maputo (Mozambique) to maintain and reinvent their musical arts
Micas Orlando Silambo
1-20
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Brazilian Taiko
the construction of Japanese drums in the Kaito family workshop, in Taubaté (SP)
Flávio Rodrigues, Suzel Ana Reily
1-25
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Frame drums in the world
a documentation proposal
Marcos Vinicius Lacerda Schettini, Ana Paula Peters
1-18
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Overview of the ways of playing Baião, Maracatu and Frevo on drums in recordings by Hermeto Pascoal and Egberto Gismonti between 1965 and 2003
Christiano Lima Galvão
1-27
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Suíte para os Orixás
from composition to the drumset performance of Esdra “Neném” Ferreira on tracks Xangô and Katendê
André Machado Queiroz, Fernando de Oliveira Rocha
1-19
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Introduction of active methods in Higher Artistic Music Education in the specialty of percussion
Ana María Botella Nicolás, Rosa Isusi-Fagoaga, Lluís Marzal Raga
1-15
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