Vol. 24 (2023): General Topics

View Vol. 24 (2023): General Topics

Editor-in-chief: Fernando Chaib

Published: 2023-03-23

Articles

Quatre Pièces caractéristiques, op.5 and Quatre Pièces fugitives, op.15 by Clara Schumann in the context of the composer’s style evolution

Roksana Nikolenko

1-11
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DOI: https://doi.org/10.35699/2317-6377.2023.47697
Teacher involvement in the use of digital tools in conservatory, municipal music school and university classrooms

Vicenta Gisbert Caudeli, Raúl Fontes Alayón, Diego Calderón-Garrido; Juana María Anguita Acero

1-18
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DOI: https://doi.org/10.35699/2317-6377.2023.46441
Are we living in a ‘Yellow Submarine’? The Attitude and mood creation with The Beatles’ Music

Marián Čvirik

1-13
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DOI: https://doi.org/10.35699/2317-6377.2023.48032

Articles in Portuguese/Spanish

The Preparation for Musical Performance by Guitar Quartet from the point of view by Professional Guitarists

Rafael Salgado, Maria Bernardete Castelan Póvoas

1-19
DOI: https://doi.org/10.35699/2317-6377.2023.45993
El centavo de navidad by Luis Antonio Calvo Critical edition

Juan David Manco, Jamir Mauricio Moreno Espinal, Mariantonia Palacios

1-24
DOI: https://doi.org/10.35699/2317-6377.2023.46459
Influences of Musicology and Ethnomusicology in Music Education Research in Brazil

Eliton Perpetuo Rosa Pereira

1-20
DOI: https://doi.org/10.35699/2317-6377.2023.40870
It's a living being Substitution, adaptation and standardization of music instruments between Africa, Europe and Brazil

Nina Graeff

1-33
DOI: https://doi.org/10.35699/2317-6377.2023.40743
The vocal performance in laryngeal positions

Daniel Machuca Telléz, Joaquín Blas Pérez

1-25
DOI: https://doi.org/10.35699/2317-6377.2023.41468
Emissaries in Salzburg the role of the Fundación Juan March in the reception of Orff-Schulwerk in Spain (1962-1966)

Joaquín De la Hoz-Diaz, Isabel M.ª Ayala Herrera

1-34
DOI: https://doi.org/10.35699/2317-6377.2023.45028
Pronunciations of sung Brazilian Portuguese a vocal analysis of recordings by baritone Ernesto De Marco

Daniela da Silva Moreira, Alberto José Vieira Pacheco

1-29
DOI: https://doi.org/10.35699/2317-6377.2023.41909
Job satisfaction of music conductors and its relationship with motivation among members of youth music ensembles in Spain

Salvador Oriola Requena, Diego Calderón Garrido, Josep Gustems Carnicer

1-13
DOI: https://doi.org/10.35699/2317-6377.2023.46041
Deciphering the guitar of João Gilberto in his arrangement of Desde que o samba é samba (2000)

Guilherme Silva Espindola, Bruno Madeira

01-22
DOI: https://doi.org/10.35699/2317-6377.2023.42503
Towards a methodological framework for vocal behavior analysis in popular singing

Ricardo Lima, Regina Machado

01-26
DOI: https://doi.org/10.35699/2317-6377.2023.45894
Incaism and habit in the Peruvian lyrical scene of the 20th century the cases of Mariano Béjar and Benigno Ballón

Zoila Vega

1-27
DOI: https://doi.org/10.35699/2317-6377.2023.46322
The Assessment Scale for the Effects of Group Music Therapy on Chemical Dependence (MTDQ)

Frederico Pedrosa, Frederio Garcia, Cristiano Mauro Assis Gomes, Cybelle Maria Loureiro

1-10
DOI: https://doi.org/10.35699/2317-6377.2023.45027
A discussion of texture theory and wallace berry's concept of density-compression

Alejandro Jara, Luigi Antonio Irlandini

1-19
DOI: https://doi.org/10.35699/2317-6377.2023.40979

Book Reviews

Study on Rogério Duprat shows how deep a socio-musical analysis can be

Flávio Terrigno Barbeitas

1-7
DOI: https://doi.org/10.35699/2317-6377.2023.44798

Interviews

Developing harmonic perception a conversation with Bruno Mangueira

Thais dos Guimarães Alvim Nunes, André de Oliveira, Bruno Mangueira

1-13
DOI: https://doi.org/10.35699/2317-6377.2023.45389

Thematic Session RePercussions

RePercussion thematic section Editorial

Ronan Gil de Morais, Luís Bittencourt

1-3
DOI: https://doi.org/10.35699/2317-6377.2023.49361
The evolution of percussion and the new challenges for percussionists eclecticism or specialization

Eduardo Flores Gianesella

1-28
DOI: https://doi.org/10.35699/2317-6377.2023.47851
Tan Dun’s Water Music a sonic investigation on the instrumentality of water through experimental percussion practices and contemporary music performance

Luís Bittencourt

1-18
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DOI: https://doi.org/10.35699/2317-6377.2023.48635
Analyzing the expansion of timbric possibilities in the Concert Piece for timpani and orchestra by Mauricio Kagel

Matheus Augusto Ribeiro, Antenor Ferreira Correa

1-16
DOI: https://doi.org/10.35699/2317-6377.2023.42088
Percussion solo parts in Rogerio Duprat’s Antinomies I

Ricardo Stuani

1-21
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DOI: https://doi.org/10.35699/2317-6377.2023.48632
Isolation Analogies between Stuart Saunders Smith and the Transcendentalists

José Augusto Duarte Lacerda

1-20
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DOI: https://doi.org/10.35699/2317-6377.2023.48481
The SIX-XEN by Iannis Xenakis a Pleiad of ever-expanding sounds

Ronan Gil de Morais

1-31
DOI: https://doi.org/10.35699/2317-6377.2023.48450
About objects, things, acts and air a (self)critical view of percussive works and concepts

Carlos Stasi

1-22
DOI: https://doi.org/10.35699/2317-6377.2023.48392
Practices and strategies of vachai va timbira in Maputo (Mozambique) to maintain and reinvent their musical arts

Micas Orlando Silambo

1-20
DOI: https://doi.org/10.35699/2317-6377.2023.48112
Brazilian Taiko the construction of Japanese drums in the Kaito family workshop, in Taubaté (SP)

Flávio Rodrigues, Suzel Ana Reily

1-25
DOI: https://doi.org/10.35699/2317-6377.2023.47638
Frame drums in the world a documentation proposal

Marcos Vinicius Lacerda Schettini, Ana Paula Peters

1-18
DOI: https://doi.org/10.35699/2317-6377.2023.48621
Overview of the ways of playing Baião, Maracatu and Frevo on drums in recordings by Hermeto Pascoal and Egberto Gismonti between 1965 and 2003

Christiano Lima Galvão

1-27
DOI: https://doi.org/10.35699/2317-6377.2023.45902
Suíte para os Orixás from composition to the drumset performance of Esdra “Neném” Ferreira on tracks Xangô and Katendê

André Machado Queiroz, Fernando de Oliveira Rocha

1-19
DOI: https://doi.org/10.35699/2317-6377.2023.48600
Introduction of active methods in Higher Artistic Music Education in the specialty of percussion

Ana María Botella Nicolás, Rosa Isusi-Fagoaga, Lluís Marzal Raga

1-15
DOI: https://doi.org/10.35699/2317-6377.2023.48540