Editorial by Per Musi 21

Authors

DOI:

https://doi.org/10.35699/2317-6377.2010.45264

Keywords:

Editorial

Abstract

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Author Biography

  • Fausto Borém, University Federal of Minas Gerais (UFMG) (Brazil)

    Professor at the School of Music at the Federal University of Minas Gerais (UFMG), where he created the Master in Music and the Per Musi Magazine. É CNPq researcher since 1994 and his research results include a book book, three book chapters, dozens of articles on performance practices performance practices and their interfaces (composition, analysis, musicology ethnomusicology and music education) in national and international journals international journals, dozens of score editions, and presentation of and presentation of recitals in major national and international double bass events. of the double bass. He has received several awards in Brazil and abroad as as a soloist, theorist, composer and teacher. He has played with classical musicians such as Yo-Yo Ma, Midori, Menahen Pressler, Yoel Levi, Fábio Mechetti, Luiz Otávio Santos Otávio Santos, Arnaldo Cohen, Antônio Menezes and popular musicians such as Hermeto Pascoal, Egberto Gismonti, Henry Mancini, Bill Mays, Kristin Korb Korb, Grupo UAKTI, Toninho Horta, Juarez Moreira, Tavinho Moura, Roberto Corrêa, Maurício Tizumba and Túlio Mourão. His recordings include the CD Brazilian Music for the Double Bass, the CD and DVD O Aleph by Fabiano Araújo Costa, the CDs of the Baroque Orchestra of the Juiz de Fora International Juiz de Fora International Festival from 2005 to 2009 (with Luiz Otávio Santos), the Suite for Flute and Jazz Piano by Claude Bolling (with Maurício Freire, Tânia Mara and Eduardo Campos) and No Sertão (with violist Roberto Corrêa) and Cidades Invisíveis (with saxophonist Daniel d ́Olivier).

References

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Published

2010-01-01

Issue

Section

Editorial

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