No. 29 (2014): General Topics

View No. 29 (2014): General Topics

Published: 2014-06-13

Editorial

Editorial of Per Musi 29

Fausto Borém

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Articles in Portuguese/Spanish

“Billy’s touch” background, influences, works and compositional style of Billy Strayhorn

J. William Murray; Fausto Borém

1-14
- PDF (Português (Brasil))
Enunciative illusion in songs

Luiz Tatit

1-6
- PDF (Português (Brasil))
Elis Regina’s scenic singing trajectory

Fausto Borém, Ana Paula Taglianetti

1-14
- PDF (Português (Brasil))
Text-music-image of Elis Regina an analysis of Ladeira da Preguiça by Gilberto Gil and Atrás da porta by Chico Buarque and Francis Hime

Fausto Borém, Ana Paula Taglianetti

1-17
- PDF (Português (Brasil))
Rio, Zona Norte (1957) by Nelson Pereira dos Santos popular music as representation of a cultural impasse

Marcos Napolitano

1-11
- PDF (Português (Brasil))
Writing word (Bilac, Iessiênin and Augusto de Campos) and singing word (Toquinho and Belchior) stylistical aspects of the poem and the song in Literature and Brazilian Popular Music (MPB)

Josely Teixeira Carlos

1-17
- PDF (Português (Brasil))
Phallic word on divine eroticism in the song Sobre todas as coisas (About everything) by Chico Buarque and Edu Lobo

Márcio Ronei Cravo Soares

1-7
- PDF (Português (Brasil))
Modalism in some Brazilian post-Bossa Nova composers of the 1960s

Paulo José de Siqueira Tiné

1-7
- PDF (Português (Brasil))
Issues on the Grundgestalt analysis applied to popular music

Carlos de Lemos Almada

1-8
- PDF (Português (Brasil))
Cycles of thirds in certain songs of popular music in Brazil

Sérgio Paulo Ribeiro de Freitas

1-22
- PDF (Português (Brasil))
Conventions and Inventions around of the topic 5 - #5 - 6 in the nationalist musical process in Brazil

George Manoel Farias

1-7
- PDF (Português (Brasil))
The samba-bossa-MPB lineage on the construction of a discourse of Brazilian popular music tradition

Silvano Fernandes Baia

1-15
- PDF (Português (Brasil))
Music and politics in the emergence of Bossa Nova

Tomás Andrés Frère Affanni

1-7
- PDF (Português (Brasil))
The Bossa Nova movement and the music of Ceará of the 1970s

Nelson Barros da Costa, Maria das Dores Nogueira Mendes

1-9
- PDF (Português (Brasil))
Elomar Figueira Mello’s music context and style beyond popular and classical

Eduardo de Carvalho Ribeiro

1-10
- PDF (Português (Brasil))
How to play baião combinations of musical elements in the repertoire of Luiz Gonzaga

Almir Côrtes

1-14
- PDF (Português (Brasil))
Twirl ‘round me, for the Paraguayan polka is like this” cultural encounters in urban popular song and political change in Mato Grosso do Sul, Brazil

Alvaro Neder

1-11
- PDF (Português (Brasil))
About flowers and cannons protest songs in popular music festivals

Vanda Lima Bellard Freire, Erika Soares Augusto

1-11
- PDF (Português (Brasil))

Translations

“Is the Duke deserting jazz?” classicisation through improvisation in Diminuendo and crescendo in blue

Katherine Willians; Fausto Borém

1-8
- PDF (Português (Brasil))

Book Reviews

Review of Eu não sou cachorro, não, Paulo Cesar de Araújo’s book on Brazilian cafona music

Fausto Borém

1-6

Music Scores

Interlude score (Diminuendo and crescendo in blue) improvisation by Paul Gonsalves

Paul Gonsalves, Duke Ellington

1-4
Score of Elis Regina's performance in Atrás da porta, by Chico Buarque and Francis Hime

Elis Regina, Chico Buarque, Francis Hime

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