Haciendo música juntos o improvisación y sus otros
DOI:
https://doi.org/10.35699/2317-6377.2007.55070Palabras clave:
improvisación, performance musical, comunidad, musicología, tradición oral y auditivaResumen
Ingrid Monson, entre otros, sostiene que a la música de 'arte' occidental le falta la dimensión interactiva y colaborativa del jazz. Este artículo parte de la interacción en el jazz y de las aproximaciones a este tema por parte de sus teóricos, en dirección a un modelo más general de la música como actividad social. Sugiero una amplia valorización de la música—cualquier música—como un instrumento a través del cual aprendemos a trabajar con los demás, a negociar caminos de acción compartidos dentro de estructuras composicionales que se comprenden mejor como puntos de partida en lugar de especificaciones de acción. Vislumbrar la música de 'arte' occidental desde esta perspectiva y considerar seriamente la dimensión social que Alfred Schutz ha enfatizado desde hace tiempo—en un artículo cuyo título he tomado prestado—ayuda a dar un nuevo enfoque a la excesiva orientación hacia el texto escrito que, cuestionablemente, ha proporcionado a los musicólogos una visión distorsionada de la música.
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