Four experient views about the Brazilian choral music
DOI:
https://doi.org/10.35699/2317-6377.2007.55195Keywords:
brazilian choral music, music rehearsal, performance practices, music education, voiceAbstract
Nothing like "academic essays." The reader will find, in this book, "essays" in the most musical sense of the term, from a musical practice perspective. There are four experienced perspectives, quite experienced, that gaze upon us in Essays: Perspectives on Brazilian Choral Music, sold for R$ 29.00 on the website www.oficinacoral.org.br. Three conductors and one composer. Master and Doctor Carlos Alberto Figueiredo, Professor of Choral Conducting and Musical Analysis at UNIRIO, celebrates 30 years of career as a choral conductor and more than twenty as a Professor of Choral Singing, having recorded four CDs with the Pro-arte Chamber Choir. Eclectic, Elza Lakschevitz completed her postgraduate studies at UFRJ in composition, conducting, piano, and organ, coordinated the Villa-Lobos Project at FUNARTE, and received dedications in works by Ronaldo Miranda, Edino Krieger, Ernani Aguiar, and Vieira Brandão. Let’s enumerate the activities of the multifaceted Nestor de Hollanda Cavalcanti: researcher, writer, archivist, musical director, record producer, director of musical collections, editor, arranger, and... phew, we made it!, composer of over 300 works for various ensembles. Samuel Kerr, who completes the quartet, is a Professor of Choral Singing at UNESP, an award-winning Director of the Municipal School of Music of São Paulo, and conductor of various choral and symphonic groups, including the São Paulo Municipal Youth Symphony and the Paulistano Choir.
References
FIGUEIREDO, Carlos Alberto; LAKSCHEVITZ, Elza; CAVALCANTI, Nestor de Hollanda; KERR, Samuel. Ensaios: olhares sobre a música coral brasileira. Org. Eduardo Lakschevitz. Rio de Janeiro: Centro de estudos de Música Coral / Oficina Coral, 2006.
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