Entre el proceso y el producto
música y/en calidad de performance
DOI:
https://doi.org/10.35699/2317-6377.2006.55216Palabras clave:
teoría de la performance, obra musical, texto, guion, análisis musicalResumen
La orientación tradicional de la musicología y la teoría musical en el texto retrasa la reflexión sobre la música como una arte de performance. La música puede ser comprendida tanto como un proceso como un producto, pero es la relación entre ambos lo que define "performance" en la tradición del "arte" occidental. A partir de teorías interdisciplinarias de la performance (especialmente estudios sobre teatro, poesía, lectura y etnomusicología), se plantean cuestiones y enfoques de investigación en el estudio de la música como performance; considerando las partituras como "guiones", en lugar de "textos", se argumenta que se puede comprender la performance como generadora de significado social.
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