Viol Will by Paul McIntyre

anatomy of a canadian serial madrigal for soprano and bass viol

Authors

Keywords:

Paul McIntyre, Viol Will, Composition, Double bass, Soprano, Voice, Shakespeare, Chamber musi

Abstract

Introduction of Viol Will, a Madrigal for Soprano and Bass Violfor soprano e double bass by the Canadian composer Paul McIntyre, a dodecaphonic work based on Shakespeare ́s excerpts which mention the word “viol”. It includes the complete score and an analysis of the formal structures, usage of the series, text painting, translation of the original text into Portuguese and the complete score.

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Author Biographies

Anthony Scelba, Kean University

Anthony Scelba was the first double bassist to receive a Doctor of Musical Arts degree from the Juilliard School, USA. Winner of the Fulbright Performing-Artist Award from Seoul, Korea in 1983-1984, he performs regularly in the New York area as a recitalist and member of the Yardarm Trio. He was first bassist of the New Jersey Symphony for ten years, and is currently a professor at Kean University, New Jersey, where he teaches double bass, music history, and analysis.

Fausto Borém, University of Minas Gerais (Brazil)

Fausto Borém (Belo Horizonte, Brazil, 1960) is Professor of Double Bass, Chamber Music, Music Research and Performance Practices at UFMG, where he created the Master in Music and the Per Musi Magazine. A CNPq researcher since 1994, he holds a PhD in double bass from the University of Georgia and an M.A. in double bass from the University of Iowa, USA. He organized the I National Seminar on Research in Music Performance (1999), the Fourth International Double Bassists Meeting (1996), the Second National Double Bass Composition Contest (1996) and the First National Double Bassists Contest (2002). He has represented Brazil in major national and international double bass events (USA in 1993, 1995, 1997, 1999 and 2001, France in 1994, Scotland in 1998). He has presented papers at the International Society of Bassists Convention, SBPC, International Double Bass Meetings, ANPPOM National Meetings, GAMUT Annual Meeting - Georgia Association of Music Theory. He has published dozens of articles in important national and international journals in the areas of performance, analysis and historical musicology (see Curriculum Lattes at the CNPq website). Award-winning soloist several times in Brazil and abroad, he is the bass player of Trio Novarte and Geraes Jazz 'round. His work Uma Didática da Invenção was awarded 3rd place in the III National Contest of Composition for Double Bass (UFG, 2000). He has coordinated twice the Visiting Artist Project at UFMG with the UAKTI Workshop (1996) and the Workshop of Double Bass Guitar Making for Children (2002).

References

PALISCA, Claude V., ed. Norton Anthology of Western Music. v.1, 3.ed. New York: W. W. Norton, 1996.

DAVISON, Archibald T., APEL, Willi, eds. Historical Anthology of Music. v.1. Cambridge, Massachussets: Harvard University Press, 1950.

VINTON, John, ed. 12-tone techniques. In: Dictionary of Contemporary Music. New York: E. P. Dutton, 1974. p.771-780.

SHAKESPEARE, William.The Complete Works of Shakespeare. Ed. David Bevington. 4.ed. Reading, Massachussets: Addison-Wesley-Longman, 1997.

McINTYRE, Paul. Viol Will, a Madrigal for Soprano and Bass Viol. Windsor, Canadá: ed. autor, 1977.

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Published

2000-06-15

How to Cite

Scelba, Anthony, and Fausto Borém. 2000. “Viol Will by Paul McIntyre: Anatomy of a Canadian Serial Madrigal for Soprano and Bass Viol”. Per Musi, no. 01 (June):1-14. https://periodicos.ufmg.br/index.php/permusi/article/view/38351.

Issue

No. 01 (2000): General Topics

Section

Translations

License

Copyright (c) 2000 Per Musi

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