No. 20 (2009): General Topics

View No. 20 (2009): General Topics
Published: 2025-03-26

Editorial

  • Per Musi Editorial 20

    Fausto Borém
    DOI: https://doi.org/10.35699/2317-6377.2009.58331

Articles in Portuguese/Spanish

  • Gender and Baroque Music

    Suzanne Cusick; Silvana Scarinci
    7-15
    DOI: https://doi.org/10.35699/2317-6377.2009.54484

  • The fiddled violin the clamor of forgotten voices from the Brazilian rabecas and “other violins”

    Luiz Henrique Fiaminghi
    16-21
    DOI: https://doi.org/10.35699/2317-6377.2009.54507

  • The dawn of the (forte)piano

    Pedro Persone
    DOI: https://doi.org/10.35699/2317-6377.2009.54510

  • Issues of Arnold Schoenberg´s thematic construction related to his theoretical writings about form

    Carlos de Lemos Almada
    34-43
    DOI: https://doi.org/10.35699/2317-6377.2009.54551

  • The serialism of Camargo Guarnieri in his Fifth Piano Concerto

    Liduino Pitombeira
    44-53
    DOI: https://doi.org/10.35699/2317-6377.2009.54555

  • Music and identity musical autobiographies in multiple sclerosis patients

    Cecilia Cavalieri França, Shirlene Vianna Moreira , Marco Aurélio Lana-Peixoto, Marcos A. Moreira
    54-63
    DOI: https://doi.org/10.35699/2317-6377.2009.54559

  • Coherence factors in H. Villa-Lobos´Choros n. 5 (“Alma brasileira”)

    Carlos Alberto Assis
    64-73
    DOI: https://doi.org/10.35699/2317-6377.2009.54568

  • A Professional training and practice profile of piano teachers in Porto Alegre (Brazil)

    Karla Dias de Oliveira, Regina Antunes Teixeira dos Santos, Liane Hentschke
    74-82
    DOI: https://doi.org/10.35699/2317-6377.2009.54569

  • Percian considerations on gesture in the performance of the Grupo UAKTI

    Patrícia Furst Santiago, André Borges Meyerewicz
    83-91
    DOI: https://doi.org/10.35699/2317-6377.2009.54576