No. 05 e 06 (2002): General Topics

View No. 05 e 06 (2002): General Topics
Published: 2002-07-01

Editorial

  • Per Musi Editorial 05

    André Cavazotti
    DOI: https://doi.org/10.35699/2317-6377.2002.58228

Articles

  • On performance, analysis, and Schubert

    Janet Schmalfeldt
    38-54
    DOI: https://doi.org/10.35699/2317-6377.2002.56136

  • The Mystic Chord as the harmonic and structural basis of a late Scriabin work um estudo comparativo dos Dois Prelúdios, Op. 67 (1912-1913)

    William Davis
    90-100
    DOI: https://doi.org/10.35699/2317-6377.2002.56201

  • Learning the doublebass a multilevel approach to the acquisition of motor performance skill

    Florian Pertzborn
    120-130
    DOI: https://doi.org/10.35699/2317-6377.2002.57609

  • Bernstein's Kaddish Symphony genesis and purpose

    Eli-Eri Moura
    141-150
    DOI: https://doi.org/10.35699/2317-6377.2002.57613

Articles in Portuguese/Spanish

  • The environment of musical improvisation and time

    Rogério Luiz Moraes Costa
    5-13
    DOI: https://doi.org/10.35699/2317-6377.2002.56087

  • Motor learning in music performance reflections on concepts and applicability

    Guilherme Menezes Lage, Fausto Borém , Rodolfo Novellino Benda, Luiz Carlos Moraes
    14-37
    DOI: https://doi.org/10.35699/2317-6377.2002.56093

  • A Atra Praia de Saturno the structural role of timbre

    Felipe de Oliveira Amorim, Rogério Vasconcelos Barbosa
    66-80
    DOI: https://doi.org/10.35699/2317-6377.2002.56143

  • Francisco Mignone experimentation in the three sonatas for violin and piano (1964-66)

    Esdras Rodrigues
    81-89
    DOI: https://doi.org/10.35699/2317-6377.2002.56198

  • Mário de Andrade and the voice's owner

    Maria Elisa Pereira
    101-111
    DOI: https://doi.org/10.35699/2317-6377.2002.56216

  • Vocal preparation of the chorister

    Juliana Grassi Pinto Ferreira
    112-119
    DOI: https://doi.org/10.35699/2317-6377.2002.57557

  • The problem of the 'aesthetic phases' and the Suite for solo guitar in the compositional work of Guerra-Peixe

    Clayton Vetromilla
    131-140
    DOI: https://doi.org/10.35699/2317-6377.2002.57612

  • The analysis and interpretation of Quatre Pièces by Glauco Velásquez (1912)

    Any Raquel Carvalho, Paulo Fernando Saraiva Macedo
    151-162
    DOI: https://doi.org/10.35699/2317-6377.2002.57648

  • "Natural" and "artificial" legatos in piano performance

    Cláudio Richerme
    163-166
    DOI: https://doi.org/10.35699/2317-6377.2002.57649

  • The Hostílio Soares' catalog of works

    Arnon Sávio Reis de Oliveira
    167-175
    DOI: https://doi.org/10.35699/2317-6377.2002.57652

  • Erratum A possible interpretation of the musical reference in De Umbris by Oiliam Lanna

    Cecília Nazaré de Lima
    DOI: https://doi.org/10.35699/2317-6377.2002.58425

Interviews

  • An interview with Janet Schmalfeldt

    André Cavazotti , Salomea Gandelman
    55-67
    DOI: https://doi.org/10.35699/2317-6377.2002.56141