No. 37 (2017): General Topics

View No. 37 (2017): General Topics

Fausto Borém, Founder and Chief-Editor

Published: 2018-06-24

Articles

  • On-demand streaming services listening as an experience and experimentation

    Rodrigo Fonseca e Rodrigues, Astréia Soares Batista
    DOI: https://doi.org/10.35699/2317-6377.2017.5173

  • Hybrid Picking Applied to Classical Guitar

    Marcos Maia, Carlos Fiorini
    DOI: https://doi.org/10.35699/2317-6377.2017.5226

  • Left-Hand Injuries in Guitarists Literature Review and Some Solutions

    Bráulio Bosi
    DOI: https://doi.org/10.35699/2317-6377.2017.5238

  • Anatomy of a Rhetorical Gesture

    Gonzalo Javier Martínez
    DOI: https://doi.org/10.35699/2317-6377.2017.5253

Articles in Portuguese/Spanish

  • The Brazilian popular guitar searching for possible definitions

    Rafael Thomaz, Fabio Scarduelli
    DOI: https://doi.org/10.35699/2317-6377.2017.5186

  • Aspects of the text-music analysis in the «Scherzi musicali» (1698) by Francesco Antonio Pistocchi

    Fabrizio Ammetto, Alejandra Béjar Bartolo
    DOI: https://doi.org/10.35699/2317-6377.2017.5170

  • Hermeto Pascoal’s time the simultaneity of events in “Mestre Radamés” and its context

    Paulo José de Siqueira Tiné
    DOI: https://doi.org/10.35699/2317-6377.2017.5184

  • Clube da Esquina “mineiridade”, romanticism and cultural resistance in the 1960’s Brazil

    Sheyla Castro Diniz
    DOI: https://doi.org/10.35699/2317-6377.2017.5165

  • Attitudes toward heavy metal scale an example of type-likert scale development

    Carlos Eduardo Pimentel, Valdiney Veloso Gouveia, Thayro Andrade Carvalho, Caio Monteiro Machado, Ana Karla Silva Soares
    DOI: https://doi.org/10.35699/2317-6377.2017.5169

  • Prélude à l´après-midi d´un faune by Claude Debussy assessment criteria of the orchestral excerpt for flute in audition situation

    André Sinico, Cristina Capparelli Gerling
    DOI: https://doi.org/10.35699/2317-6377.2017.5280

  • Mechanical Recordings in Brazil and Portugal (1900-1927) between Music Industry, Soundscapes and Ethnographic Archives

    Pedro de Moura Aragão
    DOI: https://doi.org/10.35699/2317-6377.2017.5167

  • The Joint Performance between Singing Teachers and Speech Language Therapists A Literature Review

    Carla Rosati Colepicolo, Léslie Piccolotto Ferreira
    DOI: https://doi.org/10.35699/2317-6377.2017.5225

  • Considerations on Harmonization and Popular Music in Supplementary Piano Discipline

    Liliana Harb Bollos, Carlos Henrique Costa
    DOI: https://doi.org/10.35699/2317-6377.2017.5166

  • From Radio Gazeta to Label Chantecler the recording of opera Il Guarany by Carlos Gomes

    Saulo Alves Dias, Juliana Marilia Coli
    DOI: https://doi.org/10.35699/2317-6377.2017.5177

  • Historical, Structural and Characteristic Considerations on Iannis Xenakis’s Sixxen Instrument

    Ronan Gil de Morais, Fernando Martins de Castro Chaib, Fabio Fonseca de Oliveira
    DOI: https://doi.org/10.35699/2317-6377.2017.5164

  • Quassus for clarinet solo by Eli-Eri Moura (Part 1) context and analysis of the First Movement

    Gueber Pessoa Santos, Pedro Robatto, Eli-Eri Moura
    DOI: https://doi.org/10.35699/2317-6377.2017.5193

  • Quassus for clarinet solo by Eli-Eri Moura (Part 2) analysis of the Second Movement and interpretative considerations

    Gueber Pessoa Santos, Pedro Robatto, Eli-Eri Moura
    DOI: https://doi.org/10.35699/2317-6377.2017.5194