About the Journal

Revista PÓS is an academic journal published by the Postgraduate Program in Arts at UFMG (Federal University of Minas Gerais). Created in 2011, it accepts articles, essays, translations, visual essays and interviews in the following areas of Art: Fine Arts, Visuals and Interarts; Interart Art and Experience in Education; Performing arts; Cinema; Digital Poetics and Preservation of Cultural Heritage. Original materials from PhDs and PhD students are accepted. Master's and master's materials co-authored with a PhD are also accepted. Revista Pós works with a rolling publishing policy. The evaluation is done by the double blind system of peer reviews. The journal is freely accessible to authors and readers and contains an editorial board with a large majority of non-UFMG members, including international advisors.

This study was financed in part by the Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - Brasil (CAPES) - Finance Code 001

In the years 2020 to 2025, the journal received funding from FAPEMIG to cover the layout and editing costs of the published issues.

Announcements

Current Issue

Vol. 15 No. 35 (2025): set/dez
View Vol. 15 No. 35 (2025): set/dez
DOI: https://doi.org/10.35699/
Published: 2026-02-02

Articles - Open section

  • The Aesthetics of Ginga Hélio Oiticica’s Contribution to Understanding Carnival asa Labyrinth in Brazil’s Capital

    Gabriela Pereira de Freitas, Lorena da Silva Figueiredo, Thaís da Costa Barros Antônio
    1-18
    DOI: https://doi.org/10.35699/2238-2046.2025.59131

  • “An Abstract in the Figurative Field” Murilo Mendes’ Perspective on the Work of Giorgio Morandi

    Victor Tuon Murari
    1-21
    DOI: https://doi.org/10.35699/2238-2046.2025.59267

  • Transatlantic Memories of a Moving Body That Produces an Artistic and Anti-Racist Educational Discourse Ideas of Authorship in the Work of Aline Motta

    Cristiane do Rocio Wosniak, Patrícia Silva da Ressureição
    1-25
    DOI: https://doi.org/10.35699/2238-2046.2025.56974

  • Roberto Burle Marx An Expert Visitor at the 7th Bienal de São Paulo of 1963

    Nathalie Rodrigues Barcellos, Analucia Thompson
    1-24
    DOI: https://doi.org/10.35699/2238-2046.2025.59608

  • Living in Accordance with Nature in Stoicismand in Art Vivir conforme a la naturaleza en el estoicismo y en el arte

    Alexandre Ragazzi
    1-23
    DOI: https://doi.org/10.35699/2238-2046.2025.57340

  • Assessment in Art/Dance in Basic Education Formative and Critical Perspectives Between the BNCC and Teaching Practice

    Oneide Alessandro Silva dos Santos
    1-21
    DOI: https://doi.org/10.35699/2238-2046.2026.59522

  • Leaving me to be with Fernanda Letters to let the research find us

    Sarah Marques Duarte
    1-23
    DOI: https://doi.org/10.35699/2238-2046.2026.60064

  • Overlapped Realities Vila Vintém Through Documentary Photography

    Luís Francisco Munaro, Francielen Leandro Apolinário
    1-23
    DOI: https://doi.org/10.35699/2238-2046.2026.60979

  • Visual Culture Education Visual Arts Teachers’Conceptions About Images and Gender Issues

    Fabiana Lopes de Souza, Maria Cecilia Lorea Leite
    1-24
    DOI: https://doi.org/10.35699/2238-2046.2026.60843

  • Temporal Iconographic Artists and the Murmur of Time

    Patricia Franca-Huchet
    1-23
    DOI: https://doi.org/10.35699/2238-2046.2026.58899

  • one/collective to build a wasp’s nest relationship

    Adriana Araujo, Nivalda Assunção
    1-17
    DOI: https://doi.org/10.35699/2238-2046.2026.60526

  • The Fluid Nymph in Ana Mendieta Video-Performance and Body Evanescence

    Antenor Ferreira Correa, Maiara Martins Gomes
    1-24
    DOI: https://doi.org/10.35699/2238-2046.2026.61311

  • Farnese de Andrade Revisited Queer, Melancholic, and Modernist

    Dieison Marconi, Denilson Lopes
    1-21
    DOI: https://doi.org/10.35699/2238-2046.2026.58258

  • Ecosophical immanences and the production of subjectivity in the process of creating video art I wanted to know who I am

    Cláudio Tarouco de Azevedo , Paulo Bernardino das Neves Bastos
    1-19
    DOI: https://doi.org/10.35699/2238-2046.2026.62436

  • Une “galerie particulière” Gilda de Mello e Souza et l’abstraction lyrique

    Carlos Henrique Fernandes
    1-22
    DOI: https://doi.org/10.35699/2238-2046.2026.62160

Ensaio visual

  • Memories from the Clay

    Walter Rodrigues Marques, Priscila Leonel
    1-13
    DOI: https://doi.org/10.35699/2238-2046.2026.59006

Artists' writings

  • Turning the Vertices

    Lucas Eskinazi
    1-29
    DOI: https://doi.org/10.35699/2238-2046.2026.59361

  • Dibs “Art as a Game of Playing” Exhibition Manifesto

    Lucas Carvalho Rôla Santos
    1-15
    DOI: https://doi.org/10.35699/2238-2046.2026.60948
View All Issues

Revista PÓS is an academic journal published by the Postgraduate Program in Arts at UFMG (Federal University of Minas Gerais). Created in 2011, it accepts articles, essays, translations, visual essays, and interviews in the following areas of Art: Fine Arts, Visuals, and Interarts; Interart Art and Experience in Education; Performing arts; Cinema; Digital Poetics and Preservation of Cultural Heritage. Original materials from doctors or doctoral students are accepted. The evaluation is done by a double-blind system of peer reviews. The journal is freely accessible to authors and readers and contains an editorial board with a large majority of non-UFMG members, including international advisors.