Extra-musical elements in the work of K-Ximbinho

questions about musical iconography in their record covers between 1950s and 1960s

Authors

Keywords:

K-ximbinho, Jazz, Choro, Musical iconography

Abstract

K-Ximbinho participated along with other musicians from the 1950s and 1960s in a process aimed at modernizing the samba and choro in the introduction of various jazz.elements into Brazilian traditional styles. This blending of different musical genres, known at the time as “samba-jazz” or “choro jazz” was not limited to mixing rhythmic, harmonic and melodic elements, but also in the negotiation of present expressions, images and ways from North-American culture in Rio de Janeiro in a pre Bossa Nova era.

Author Biographies

  • Pablo Garcia da Costa, University of Brasília (UNB) (Brazil)

    He began his education in the General Bachelor of Music program at the State University of Ceará, completed in 2002. He recently completed his master's degree at the graduate program Music in Context at the University of Brasilia, defending his dissertation on tradition and innovation, the elements of jazz and choro and the processes of mixing musical genres in the work of K-ximbinho in 2009. He published the works "O tradicional e o moderno no discurso de K-Ximbinho" (The traditional and the modern in K-Ximbinho's discourse) in the first volume of the Revista "O Mosaico" de Pesquisa em Artes / Faculdade de Artes do Paraná and "Modernizei meu choro sem descuidar do roteiro tradicional": tradição e inovação em K-ximbinho (Sebastião Barros)" at the XIX ANPPOM Congress, 2009, Curitiba.

  • Beatriz Magalhães Castro, University of Brasília (UNB) (Brazil)

    She began his music training in Brasília with Nivaldo de Souza and Odette Ernest Dias. She is the only Latin American artist to receive the First Prize in flute performance at the National Conservatory of Superior Music in Paris, and to obtain a doctorate in the same area at the Juilliard School of Music. He did post-doctoral studies at the New University of Lisbon in Musicology. She is Adjunct Professor IV at UnB, where she was responsible for the installation of the Graduate Program - Music in Context and acts as Editor of the program's journal. His publications include inclusion in the collection "Music's Intellectual History: founders , followers, and fads" (New York, 2009), the inaugural volume of the RILM series. inaugural volume of the RILM perspectives series. Recently he received the Research Grant Award from MinC - National Library National Library Foundation (2009-2010 edition). In 2010, she will carry out the project "Beatriz interpreta Tacuchian" under the coordination of the composer, to be launched by the label ABM-Digital of the Brazilian Academy of Music, in a proposal to value the contemporary Brazilian musical production.

References

BERENDT, Joachim E. O Jazz: do rag ao rock. Tradução de Júlio Medaglia. Coleção Debates: Música. São Paulo: Ed. Perspectiva, 1975.

CÂMARA, Leide. K-ximbinho. In: Dicionário da Música do Rio Grande do Norte. Natal: Acervo da Música Potiguar, 2001.

CAZES, Henrique (1959). Choro: do quintal ao municipal. São Paulo: Ed. 34, 2ª edição 1999.

FABRIS, Bernardo. Catita De K-Ximbinho e A Interpretação do Saxofonista Zé Bodega: aspectos híbridos entre o choro e o jazz. (Artigo de Mestrado – Programa de Pós-Graduação em Música) – Escola de Música, Universidade Federal de Minas Gerais, 2005.

GARCÍA CANCLINI, Néstor. La globalización: ¿productora de culturas híbridas?. Actas del III Congreso Latinoamericano de la Asociación Internacional para el Estudio de la Música Popular. Bogotá, 2000. Disponível em http://www.hist.puc.cl/historia/iaspm/pdf/Garciacanclini.pdf. Acesso em: 21 nov. 2007.

______, Néstor. Culturas hibridas: Estrategias para entrar y salir de la modernidad. Buenos Aires: Paidós, 2001.

KARTOMI, Margareth J. Procesos y resultados del Contacto entre Culturas Musicales: Una Discusión de Terminología y Conceptos,1981. In: CRUCES, F. et al., Lecturas de etnomusicología. p.357-381. Madrid: Trotta, 2001.

K-XIMBINHO. Fundação José Augusto, Natal, RN. 3 fev. 1975. Entrevista concedida a Tarcísio Gurgel e demais entrevistadores. (CD)

______. Produção para a série radiofônica Chorinhos e Chorões - Rádio MEC. Redação e produção Lilian Zaremba, abril de 1980b, Tijuca, RJ. Entrevista concedida a Lilian Zaremba. (CD)

SARAIVA, Joana Martins. A invenção do sambajazz: discursos sobre a cena musical de Copacabana no final dos anos de 1950 e início dos anos 1960. 109 p. Dissertação (Mestrado em História) – Pontifícia Universidade Católica do Rio de Janeiro, Rio de Janeiro, 2007.

Downloads

Published

2011-01-10

Issue

No. 23 (2011): General Topics

Section

Articles in Portuguese/Spanish

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Licença Creative Commons
Except where otherwise noted, contents on this site are licensed under a  Creative Commons - Atribuição 4.0 Internacional.

How to Cite

“Extra-Musical Elements in the Work of K-Ximbinho: Questions about Musical Iconography in Their Record Covers Between 1950s and 1960s”. 2011. Per Musi, no. 23 (January): 1-14. https://periodicos.ufmg.br/index.php/permusi/article/view/42549.

Similar Articles

61-70 of 73

You may also start an advanced similarity search for this article.