No. 21 (2010): General Topics

View No. 21 (2010): General Topics
Published: 2025-03-26

Editorial

  • Editorial by Per Musi 21

    Fausto Borém
    DOI: https://doi.org/10.35699/2317-6377.2010.45264

  • Per Musi Editorial 21

    Fausto Borém
    01-06
    DOI: https://doi.org/10.35699/2317-6377.2010.58044

Articles in Portuguese/Spanish

  • The creative thinking of Paul Klee art and music in the formation of the Theory of Form

    Rosana Costa Ramalho de Castro
    1-12
    DOI: https://doi.org/10.35699/2317-6377.2010.45292

  • Guerra-Peixe from the soundtrack of the film O diabo mora no sangue [The Devil dwells in the blood] to the Prelude No 2 for classical guitar

    Clayton Vetromilla
    1-6
    DOI: https://doi.org/10.35699/2317-6377.2010.45296

  • Discourse cohesion in Liszt’s Transcendental studies the last seven pieces

    Daniel Bento
    1-9
    DOI: https://doi.org/10.35699/2317-6377.2010.45407

  • The modernism in the late Gabriel Fauré’s musical language stylistic and formal features of the First Movement of the Deuxième Quintette pour Piano et Cordes Op.115

    Nahim Marun
    1-9
    DOI: https://doi.org/10.35699/2317-6377.2010.45408

  • The singer’s formant and the laryngeal adjustments used to realize it a descriptive review

    Cristina de Souza Gusmão, Paulo Henrique Campos, Maria Emilia Oliveira Maia
    1-8
    DOI: https://doi.org/10.35699/2317-6377.2010.45512

  • Vastness of Six Small Pictures (1981) by Bruno Kiefer a study of its intervallic structure, musical gestures and possible relationships with other works by the composer

    Germano Gastal Mayer, Any Raquel Carvalho
    1-9
    DOI: https://doi.org/10.35699/2317-6377.2010.45536

  • Elliott Carter’s Night Fantasies learning and performance strategies

    Luciane Cardassi
    1-14
    DOI: https://doi.org/10.35699/2317-6377.2010.45880

  • Audio Technology in Ethnomusicology

    André Vieira Sonoda
    1-6
    DOI: https://doi.org/10.35699/2317-6377.2010.48786

  • Parâmetros para o estudo da sinestesia na música

    Guilherme Francisco Furtado Bragança
    DOI: https://doi.org/10.35699/2317-6377.2010.54391

  • Before lessons begin controversies and quarrels around the creation of the Conservatório Dramático e Musical of São Paulo

    Ailton Pereira Morila
    DOI: https://doi.org/10.35699/2317-6377.2010.58349

  • Memory an affective key to the meaning of musical performance in a phenomenological perspective

    Rocha Sérgio de Figueiredo
    97-108
    DOI: https://doi.org/10.35699/2317-6377.2010.54429

  • A timeless script thoughts on music, musicians and music teaching

    Maria Inêz Lucas Machado
    109-120
    DOI: https://doi.org/10.35699/2317-6377.2010.54449