No. 11 (2005): General Topics

View No. 11 (2005): General Topics
Published: 2005-01-01

Editorial

  • Per Musi Editorial 11

    Fausto Borém
    DOI: https://doi.org/10.35699/2317-6377.2005.58234

Articles

  • Reading music a listening process, breaking the barriers of notation

    Zelia Chueke
    106-112
    DOI: https://doi.org/10.35699/2317-6377.2005.55620

Articles in Portuguese/Spanish

  • An analysis of St. Luke’s Passion by Krzysztof Penderecki

    Vladimir Silva
    19-43
    DOI: https://doi.org/10.35699/2317-6377.2005.55546

  • De Batuque e Acalanto an analysis of the Afro-Brazilian Mass by Carlos Alberto Pinto Fonseca

    Ângelo José Fernandes
    60-72
    DOI: https://doi.org/10.35699/2317-6377.2005.55568

  • The minimalism and its compositional techniques

    Dimitri Cervo
    44-59
    DOI: https://doi.org/10.35699/2317-6377.2005.55548

  • Impromptu by Leopoldo Miguez the renaissance of a historical work from the Romantic Brazilian double bass repertory

    Fausto Borém
    73-85
    DOI: https://doi.org/10.35699/2317-6377.2005.55575

  • The Villa-Lobos’s A Prole do Bebê N.1 and N.2 aspects of texture and composition techniques

    Maria Lúcia Pascoal
    95-106
    DOI: https://doi.org/10.35699/2317-6377.2005.55615

  • Pandiatonic tendencies in the organ works by Calimerio Soares

    Any Raquel Carvalho, Martin Dahlström Heuser
    113-129
    DOI: https://doi.org/10.35699/2317-6377.2005.55622

Translations

  • The disconfort of musicology

    Jean-Jacques Nattiez ; Luis Paulo Sampaio
    5-18
    DOI: https://doi.org/10.35699/2317-6377.2005.55545

Music Scores

  • Impromptu for Double Bass and Piano (1898)

    Fausto Borém, Leopoldo Miguez (1850-1902)
    86-94
    DOI: https://doi.org/10.35699/2317-6377.2005.55577

Interviews

  • Interview with Brazilian composer Almeida Prado about his Poesilúdios collection for solo piano

    Júnia Canton Rocha
    130-136
    DOI: https://doi.org/10.35699/2317-6377.2005.55623