Performing arts, modes of perception and contemplative practices

Authors

  • Cassiano Sydow Quilici Universidade Estadual de Campinas (UNICAMP), Brasil

Keywords:

performing arts, perception, meditation

Abstract

In this article, I develop a critical point of view about the expansion of meditation techniques in the West. Based on this, I present performative arts as a field of contemporary culture in which the dialogue with contemplative traditions can be deepened. Finally, I consider contemplation as a mode of perception that can be cultivated, exploring its potential in the art of the actor.

Author Biography

  • Cassiano Sydow Quilici, Universidade Estadual de Campinas (UNICAMP), Brasil

    Professor livre-docente do Instituto de Artes da UNICAMP, pesquisador, ensaísta e dramaturgo.

References

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CRARY, Jonathan Suspensions of Perception: Attention, Spectacle and Modern Culture. Massachusetts: MIT Press, 2001.

/7: Late Capitalism and the End of Sleep. London , N.York: Verso, 2014

FOUCAULT, Michel – Vigiar e Punir – Petrópolis, Vozes. 1983.

GUNARATANA, Bhante – Meditation on Perception – Boston, Wisdom, 2014.

RANCIÈRE, Jacques – O Espectador Emancipado – São Paulo, Martins Fontes, 2012.

SLOTERDIJK, Peter – Has de Cambiar tu Vida – Valencia, Pre-textos, 2013.

VARELA, Francisco; THOMPSON, Evan; ROSCH, Eleanor – De cuerpo presente – Barcelona, Gedisa, 2011.

YUASA, Yasuo – The Body, Self-Cultivation and Ki-Energy – Albany, State University of New York, 1993.

WALLACE, Alan B. – Ciência Contemplativa: onde Budismo e neurociência se encontram – São Paulo, Cultix, 2009.

Published

2018-05-27

Issue

Section

Dossiê

How to Cite

Performing arts, modes of perception and contemplative practices. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, p. 262–273, 2018. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/15618. Acesso em: 19 dec. 2024.

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