A Verdade no Olhar do Ator que Mente
DOI:
https://doi.org/10.35699/2238-2046..15717Keywords:
actor, theather, cinemaAbstract
The presence and the work of actors on a film scene are different from their presence and work as they are thought for theatrical purposes. Faced with the possibility of experimenting with common procedures between the two fields, the actor determines a very particular space, thinks of ways of interacting with the audience, and shapes the role-playing proposed by the specificities of the realization project in cinema or theater. The problematized truth through the presence of the actor distinguishes unlimited ways of understanding their work in these two fields. This article approaches this dialogue between cinema, theater, and literature, taking as object of analysis the realization of a film, simultaneously to a theatrical play, both inspired by the short-story A Joke, by Anton Chekhov.
Downloads
References
ADLER, Stella. Stella Adler sobre Ibsen, Strindberg & Chekhov. Rio de Janeiro: Bertrand Brasil, 2002.
AUMONT, Jacques. O cinema e a encenação. Lisboa: Texto&Grafia, 2006.
BARBA, Eugenio & SAVARESE, Nicola. A arte secreta do ator: um dicionário de antropologia teatral. São Paulo: Realizações Editora, 2012.
BRESSON, Robert. Notas Sobre o Cinematógrafo. Portugal: Porto Editora, 2000.
DIDEROT, Denis. Paradoxo sobre o actor. In: BORIE, Monique e outros (org.). Estética teatral: textos de Platão a Brecht. Lisboa: Fundação Calouste Gulbenkian, 2004.
EPSTEIN, Jean. Bonjour cinema. Paris: Ed. De La Sirene, 1921.
GAUDREAULT, André. From Plato to Lumière: narration and monstration in literature and cinema. Toronto: University of Toronto Press, 2009.
GODARD, Jean-Luc. Introdução a uma verdadeira história do Cinema. São Paulo: Martins Fontes, 1989.
Keller, Sarah; PAUL, Jason N. (org). Jean Epstein: critical essays and new translations. New York: Amsterdam University Press, 2012.
LEIGHTON, Tanya (org.). Art and the moving image. Londres: Tate Publishing, 2008.
SONTAG, Susan. A vontade radical. São Paulo: Companhia das Letras, 1987.
TCHÉCKHOV, Anton. Kaschtanka e outras Histórias de Tchékhov. São Paulo: Boa Companhia, 2015.
XAVIER, Ismail. O discurso cinematográfico: a opacidade e a transparência. São Paulo: Paz e Terra, 2005.
Downloads
Published
Issue
Section
License
Copyright (c) 2017 Rafael Conde de Resende
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.
| 
