Art, memory and archive in extreme contexts
from AI-5 to the 2000s
DOI:
https://doi.org/10.35699/2237-5864.2021.23175Keywords:
Art, Memory, Archive, Civil-military dictatorship in BrazilAbstract
Arte, memória e arquivo em contextos extremos:do AI-5 aos anos 2000 [Art, Memory and Archive in Extreme Contexts: from AI-5 to the 2000s] investigates contemporary artistic productions which incorporate the dimension of archive and memory in two distinct moments of the country’s history: the civil-military dictatorship and the 2000s. Throughout the essay we attempt to show how the constitution of the archive-work strongly relates to the history of the context of Brazilian art, and also how the development of this production can be understood as a kind of device for new “re-writings” of history by artists in contemporaneity. In 2018, as a case study, we performed a reading of the Estado(s) de emergência [State(s) of Emergency] exhibition, held by Paço das Artes in partnership with Oficina Cultural Oswald de Andrade.
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