Interrupting the spectacle
the political and aesthetical gesture of the emotions
DOI:
https://doi.org/10.35699/2237-5864.2023.41744Keywords:
Queer bodies, Emotions, Interruption, Political and aesthetical gesturesAbstract
This essay reflects on the emotions that circulate and mark the bodies from two fronts: the emotions imprinted in queer bodies that perform in the contemporary scene as provoking a transformative affective displacement of the subject and its symbolical conditioning; and how the images proposed on the stage by these bodies reorganize the historical sense of images, revoking emotions/directions and meanings, proposing new landscapes in its place with a critical view of reality. To think about the political and aesthetical gesture of bodies considered strange, subversive, and rebellious to social markers, in its transversality and transversatility is what we want to think of as an interruption device for the spectacle and its colonizing discourses.
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